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By Root 1721 0

not to say cutting pen, on the Repeating Rifle in the Bulgarian Army; and these have put him quite in a class by himself. He’s already gone pretty far, and he’s not the sort of man to stop halfway. I happen to know that (without any suggestion, of course, of his standing for election) his name has been mentioned several times in conversation, and not at all unfavourably, at the Academy of Moral Sciences. And so, though one can’t say yet, of course, that he’s exactly at the pinnacle, he has fought his way by sheer merit to a very fine position indeed, and success—which doesn’t always come only to the pushers and the muddlers, the fusspots who are generally show-offs—success has crowned his efforts.”

My father, seeing me already, in a few years’ time, an Academician, exuded a satisfaction which M. de Norpois raised to the highest pitch when, after a momentary hesitation during which he appeared to be calculating the possible consequences of his act, he handed me his card and said: “Why not go and see him yourself? Tell him I sent you. He may be able to give you some good advice,” plunging me by these words into as painful a state of anxiety as if he had told me that I was to embark next day as cabin-boy on board a wind-jammer.

My aunt Léonie had bequeathed to me, together with a multiplicity of objects and furniture which were something of an embarrassment, almost all her liquid assets—revealing thus after her death an affection for me which I had little suspected in her lifetime. My father, who was trustee of this estate until I came of age, now consulted M. de Norpois with regard to a number of investments. He recommended certain stocks bearing a low rate of interest, which he considered particularly sound, notably English consols and Russian four per cents. “With absolutely first-class securities such as those,” said M. de Norpois, “even if your income from them is nothing very great, you may be certain of never losing any of your capital.” My father then gave him a rough indication of what else he had bought. M. de Norpois gave a just perceptible smile of congratulation; like all capitalists, he regarded wealth as an enviable thing, but thought it more delicate to compliment people upon their possessions only by an inconspicuous sign of intelligent sympathy; at the same time, as he was himself colossally rich, he thought it in good taste to seem to regard as considerable the inferior incomes of his friends, with, however, a happy and comforting reference to the superiority of his own. On the other hand, he did not hesitate to congratulate my father on the “composition” of his portfolio, selected “with so sure, so delicate, so fine a taste.” It was as though he attributed to the relative values of shares, and even to shares themselves, something akin to aesthetic merit. Of one, comparatively recent and still little known, which my father mentioned, M. de Norpois, like the people who have always read the books of which you imagined you alone had ever heard, said at once, “Ah, yes, I used to amuse myself for a time following it in the share index; it was not uninteresting,” with the retrospective smile of a regular subscriber who has read the latest novel already, in monthly instalments, in his magazine. “It wouldn’t be at all a bad idea to apply for some of this new issue. It’s distinctly attractive; they’re offering it at a most tempting discount.” But when he came to some of the older investments, my father, who could not remember their exact names, which it was easy to confuse with others of the same kind, opened a drawer and showed the securities themselves to the Ambassador. The sight of them enchanted me. They were ornamented with cathedral spires and allegorical figures, like some of the old romantic editions that I had pored over as a child. All the products of one period resemble one another; the artists who illustrate the poetry of their generation are the same artists who are employed by the big financial houses. And nothing reminds me more strongly of the instalments of Notre-Dame de Paris and of various works