In Search of Lost Time, Volume II_ Within a Budding Grove - Marcel Proust [170]
Mme de Villeparisis’s carriage moved fast. I scarcely had time to see the girl who was coming in our direction; and yet—since the beauty of human beings is not like the beauty of things, and we feel that it is that of a unique creature, endowed with consciousness and free-will—as soon as her individuality, a soul still vague, a will unknown to me, presented a tiny picture of itself, enormously reduced but complete, in the depths of her indifferent eyes, at once, by a mysterious response of the pollen ready in me for the pistils that should receive it, I felt surging through me the embryo, equally vague, equally minute, of the desire not to let this girl pass without forcing her mind to become aware of my person, without preventing her desires from wandering to someone else, without insinuating myself into her dreams and taking possession of her heart. Meanwhile our carriage had moved on; the pretty girl was already behind us; and as she had—of me—none of those notions which constitute a person in one’s mind, her eyes, which had barely seen me, had forgotten me already. Was it because I had caught but a momentary glimpse of her that I had found her so attractive? It may have been. In the first place, the impossibility of stopping when we meet a woman, the risk of not meeting her again another day, give her at once the same charm as a place derives from the illness or poverty that prevents us from visiting it, or the lustreless days which remain to us to live from the battle in which we shall doubtless fall. So that, if there were no such thing as habit, life must appear delightful to those of us who are continually under the threat of death—that is to say, to all mankind. Then, if our imagination is set going by the desire for what we cannot possess, its flight is not limited by a reality perceived in these casual encounters in which the charms of the passing stranger are generally in direct ratio to the swiftness of our passage. If night is falling and the carriage is moving fast, whether in town or country, there is not a single torso, disfigured like an antique marble by the speed that tears us away and the dusk that blurs it, that does not aim at our heart, from every crossing, from the lighted interior of every shop, the arrows of Beauty, that Beauty of which we are sometimes tempted to ask ourselves whether it is, in this world, anything more than the complementary part that is added to a fragmentary and fugitive stranger by our imagination, overstimulated by regret.
Had I been free to get down from the carriage and to speak to the girl whom we were passing, I might perhaps have been disillusioned by some blemish on her skin which from the carriage I had not distinguished. (Whereupon any attempt to penetrate into her life would have seemed suddenly impossible. For beauty is a sequence of hypotheses which ugliness cuts short when it bars