In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [124]
“I should have very much liked him to come this evening, for he would have heard Charlie in the things he plays best. But I gather he doesn’t go out, that he doesn’t want to be bothered, and he’s quite right. But you, fair youth, we never see you at the Quai Conti. You don’t abuse their hospitality!”
I explained that I went out as a rule with my cousin.
“Do you hear that! He goes out with his cousin! What a most particularly pure young man!” said M. de Charlus to Brichot. Then, turning again to me: “But we are not asking you to give an account of your life, my boy. You are free to do anything that amuses you. We merely regret that we have no share in it. You have very good taste, by the way: your cousin is charming. Ask Brichot, she quite turned his head at Douville. Shall we be seeing her this evening? She really is extremely pretty. And she would be even prettier if she cultivated a little more the rare art, which she possesses naturally, of dressing well.”
Here I must remark that M. de Charlus “possessed”—and this made him the exact opposite, the antithesis of me—the gift of observing minutely and distinguishing the details of a woman’s clothes as much as of a painting. As regards dresses and hats, certain scandalmongers or certain over-dogmatic theorists will aver that, in a man, a fondness for male attractions is balanced by an innate taste, a knowledge and feeling for female dress. And this is indeed sometimes the case, as though, men having monopolised all the physical desire, all the deep tenderness of a Charlus, the other sex were to be favoured with what comes under the heading of “platonic” (a highly inappropriate adjective) taste, or quite simply everything that comes under the heading of taste, with the most subtle and assured discrimination. In this respect M. de Charlus merited the nickname which was given to him later on, “the dressmaker.” But his taste and his gift for observation extended to many other things. The reader will have seen how, on the evening I went to see him after a dinner-party at the Duchesse de Guermantes’s, I had not noticed the masterpieces he had in his house until he pointed them out to me one by one. He recognised immediately things to which no one would ever have paid any attention, and this not only in works of art but in the dishes at a dinner-party (and everything else between painting and cooking). I always regretted that M. de Charlus, instead of restricting his artistic talents to the painting of a fan as a present for his sister-in-law