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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [124]

By Root 1935 0
newspaper for a sort of half-humorous column by Morel about music. In doing so, M. de Charlus had felt some remorse, for, a great admirer of Bergotte, he was conscious that he never went to see him for his own sake, but in order—thanks to the respect, partly intellectual, partly social, that Bergotte had for him—to be able to do Morel or Mme Mole or others of his friends a good turn. That he no longer made use of the social world except for such purposes did not shock him, but to treat Bergotte thus seemed to him more reprehensible, because he felt that Bergotte was not at all calculating like society people, and deserved better. But his life was fully occupied and he could never find the time to spare unless he wanted something very badly, for instance when it affected Morel. Moreover, though he was himself extremely intelligent, the conversation of an intelligent man left him comparatively cold, especially that of Bergotte who was too much the man of letters for his liking, belonged to another clan and did not see things from his point of view. Bergotte for his part was well aware of the utilitarian motive for M. de Charlus’s visits, but bore him no grudge; for though he was incapable of sustained kindness, he was anxious to give pleasure, tolerant, and impervious to the pleasure of administering a snub. As for M. de Charlus’s vice, he had never to the smallest degree shared it, but found in it rather an element of colour in the person affected, fas et nefas, for an artist, consisting not in moral examples but in memories of Plato or of Il Sodoma.

“I should have very much liked him to come this evening, for he would have heard Charlie in the things he plays best. But I gather he doesn’t go out, that he doesn’t want to be bothered, and he’s quite right. But you, fair youth, we never see you at the Quai Conti. You don’t abuse their hospitality!”

I explained that I went out as a rule with my cousin.

“Do you hear that! He goes out with his cousin! What a most particularly pure young man!” said M. de Charlus to Brichot. Then, turning again to me: “But we are not asking you to give an account of your life, my boy. You are free to do anything that amuses you. We merely regret that we have no share in it. You have very good taste, by the way: your cousin is charming. Ask Brichot, she quite turned his head at Douville. Shall we be seeing her this evening? She really is extremely pretty. And she would be even prettier if she cultivated a little more the rare art, which she possesses naturally, of dressing well.”

Here I must remark that M. de Charlus “possessed”—and this made him the exact opposite, the antithesis of me—the gift of observing minutely and distinguishing the details of a woman’s clothes as much as of a painting. As regards dresses and hats, certain scandalmongers or certain over-dogmatic theorists will aver that, in a man, a fondness for male attractions is balanced by an innate taste, a knowledge and feeling for female dress. And this is indeed sometimes the case, as though, men having monopolised all the physical desire, all the deep tenderness of a Charlus, the other sex were to be favoured with what comes under the heading of “platonic” (a highly inappropriate adjective) taste, or quite simply everything that comes under the heading of taste, with the most subtle and assured discrimination. In this respect M. de Charlus merited the nickname which was given to him later on, “the dressmaker.” But his taste and his gift for observation extended to many other things. The reader will have seen how, on the evening I went to see him after a dinner-party at the Duchesse de Guermantes’s, I had not noticed the masterpieces he had in his house until he pointed them out to me one by one. He recognised immediately things to which no one would ever have paid any attention, and this not only in works of art but in the dishes at a dinner-party (and everything else between painting and cooking). I always regretted that M. de Charlus, instead of restricting his artistic talents to the painting of a fan as a present for his sister-in-law

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