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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [125]

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(we have seen the Duchesse de Guermantes holding it in her hand and spreading it out not so much to fan herself with it as to show it off and parade Palamède’s friendship for her) and to the improvement of his pianistic technique in order to accompany Morel’s violin flourishes without playing wrong notes—I always regretted, as I say, and I still regret, that M. de Charlus never wrote anything. Of course one cannot draw from the eloquence of his conversation or even of his correspondence the conclusion that he would have been a talented writer. Those merits are not on the same plane. One has come across purveyors of conversational banality who have written masterpieces, and supreme talkers who have proved inferior to the most mediocre hack as soon as they turned to writing. Nevertheless I believe that if M. de Charlus had tried his hand at prose, to begin with on those artistic subjects about which he knew so much, the fire would have blazed, the lightning would have flashed, and the society dilettante would have become a master of the pen. I often told him so, but he never wished to try his hand, perhaps simply from laziness, or because his time was taken up with dazzling entertainments and sordid diversions, or from a Guermantes need to go on gossiping indefinitely. I regret it all the more because in his most brilliant conversation the wit was never divorced from the character, the inspired invention of the one from the arrogance of the other. If he had written books, instead of being admired and hated as he was in drawing-rooms where, in his most remarkable moments of inventive intelligence, he at the same time trampled down the weak, took revenge on people who had not insulted him, basely sought to sow discord between friends—if he had written books, one would have had his spiritual qualities in isolation, drained of evil, the admiration would have been unalloyed, and friendship kindled by many a trait.

In any case, even if I am mistaken about what he might have achieved with the merest page of prose, he would have performed a rare service by writing, for, while he observed and distinguished everything, he also knew the name of everything he distinguished. Certain it is that by talking to him, if I did not learn to see (the natural tendency of my mind and sensibility lying elsewhere), at least I glimpsed things that without him would have remained invisible to me, though their names, which would have helped me to recall their design or their colour, I always forgot fairly quickly. If he had written books, even bad ones (though I do not believe they would have been bad), what a delightful dictionary, what an inexhaustible inventory they would have been! But after all, who knows? Instead of bringing to the task his knowledge and his taste, perhaps, through that daemon that so often thwarts our destinies, he would have written insipid romances or pointless books of travel and adventure.

“Yes, she knows how to dress, or more precisely how to wear clothes,” M. de Charlus went on apropos of Albertine. “My only doubt is whether she dresses in conformity with her particular style of beauty, and I am in fact to some extent responsible for this, as a result of some rather ill-considered advice I gave her. What I often used to tell her on the way to La Raspelière, which was perhaps dictated—I regret to say—by the nature of the countryside, the proximity of the beaches, rather than by your cousin’s distinctive type of looks, has made her err slightly on the side of flimsiness. I have seen her, I admit, in some very pretty muslins, some charming gauze scarves, and a certain pink toque by no means disfigured by a little pink feather. But I feel that her beauty, which is real and solid, demands more than dainty chiffons. Does a toque really suit that enormous head of hair which a kakochnyk would set off to full advantage? Very few women are suited by old-fashioned dresses which give an impression of theatre or fancy dress. But the beauty of this young girl who is already a woman is an exception, worthy of some old dress in Genoese

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