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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [362]

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again—now I systematically sought women whom Albertine had not known, just as I no longer sought those that I had desired in the past. True, it often happened to me to recall, with an extraordinary violence of desire, some wench of Méséglise or Paris, or the milk-girl I had seen early in the morning at the foot of a hill during my first journey to Balbec. But alas! I remembered them as they were then, that is to say as they certainly would not be now. So that if in the past I had been led to qualify my impression of the uniqueness of a desire by seeking, in place of a convent-girl I had lost sight of, a similar convent-girl, now, in order to recapture the girls who had troubled my adolescence or that of Albertine, I had to consent to a further departure from the principle of the individuality of desire: what I must look for was not those who were sixteen then, but those who were sixteen today, for now, in the absence of that which was most distinctive in the person and which eluded me, what I loved was youth. I knew that the youth of those I had known existed no longer except in my impassioned recollection, and that it was not them, however anxious I might be to make contact with them when my memory recalled them to me, that I must cull if I really wished to harvest the youth and the blossom of the year.

The sun was still high in the sky when I went to meet my mother on the Piazzetta. We would call for a gondola. “How your poor grandmother would have loved this simple grandeur!” Mamma would say to me, pointing to the Doges’ Palace which stood contemplating the sea with the thoughtful expression that had been bequeathed to it by its architect and that it faithfully retained in its mute attendance on its vanished lords. “She would even have loved those soft pink tints, because they are unmawkish. How she would have loved the whole of Venice, and what informality, worthy of nature itself, she would have found in all these beauties, this plethora of objects that seem to need no formal arrangement but present themselves just as they are—the Doges’ Palace with its cubic shape, the columns which you say are those of Herod’s palace, slap in the middle of the Piazzetta, and, even less deliberately placed, put there as though for want of anywhere better, the pillars from Acre, and those horses on the balcony of St Mark’s! Your grandmother would have had as much pleasure seeing the sun setting over the Doges’ Palace as over a mountain.” And there was indeed an element of truth in what my mother said, for, as the gondola brought us back along the Grand Canal, we watched the double line of palaces between which we passed reflect the light and angle of the sun upon their pink flanks, and alter with them, seeming not so much private habitations and historic buildings as a chain of marble cliffs at the foot of which one goes out in the evening in a boat to watch the sunset. Seen thus, the buildings arranged along either bank of the canal made one think of objects of nature, but of a nature which seemed to have created its works with a human imagination. But at the same time (because of the always urban character of the impressions which Venice gives almost in the open sea, on those waters whose ebb and flow makes itself felt twice daily, and which alternately cover at high tide and uncover at low tide the splendid outside stairs of the palaces), as we should have done in Paris on the boulevards, in the Champs-Elysées, in the Bois, in any wide and fashionable avenue, we passed the most elegant women in the hazy evening light, almost all foreigners, who, languidly reclining against the cushions of their floating carriages, followed one another in procession, stopped in front of a palace where they had a friend to call on, sent to inquire whether she was at home, and while, as they waited for the answer, they prepared to leave a card just in case, as they would have done at the door of the Hotel de Guermantes, turned to their guidebooks to find out the period and the style of the palace, being shaken the while, as though upon the crest of

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