In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [362]
The sun was still high in the sky when I went to meet my mother on the Piazzetta. We would call for a gondola. “How your poor grandmother would have loved this simple grandeur!” Mamma would say to me, pointing to the Doges’ Palace which stood contemplating the sea with the thoughtful expression that had been bequeathed to it by its architect and that it faithfully retained in its mute attendance on its vanished lords. “She would even have loved those soft pink tints, because they are unmawkish. How she would have loved the whole of Venice, and what informality, worthy of nature itself, she would have found in all these beauties, this plethora of objects that seem to need no formal arrangement but present themselves just as they are—the Doges’ Palace with its cubic shape, the columns which you say are those of Herod’s palace, slap in the middle of the Piazzetta, and, even less deliberately placed, put there as though for want of anywhere better, the pillars from Acre, and those horses on the balcony of St Mark’s! Your grandmother would have had as much pleasure seeing the sun setting over the Doges’ Palace as over a mountain.” And there was indeed an element of truth in what my mother said, for, as the gondola brought us back along the Grand Canal, we watched the double line of palaces between which we passed reflect the light and angle of the sun upon their pink flanks, and alter with them, seeming not so much private habitations and historic buildings as a chain of marble cliffs at the foot of which one goes out in the evening in a boat to watch the sunset. Seen thus, the buildings arranged along either bank of the canal made one think of objects of nature, but of a nature which seemed to have created its works with a human imagination. But at the same time (because of the always urban character of the impressions which Venice gives almost in the open sea, on those waters whose ebb and flow makes itself felt twice daily, and which alternately cover at high tide and uncover at low tide the splendid outside stairs of the palaces), as we should have done in Paris on the boulevards, in the Champs-Elysées, in the Bois, in any wide and fashionable avenue, we passed the most elegant women in the hazy evening light, almost all foreigners, who, languidly reclining against the cushions of their floating carriages, followed one another in procession, stopped in front of a palace where they had a friend to call on, sent to inquire whether she was at home, and while, as they waited for the answer, they prepared to leave a card just in case, as they would have done at the door of the Hotel de Guermantes, turned to their guidebooks to find out the period and the style of the palace, being shaken the while, as though upon the crest of