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In Search of Lost Time, Volume V_ The Captive, the Fugitive - Marcel Proust [384]

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he did not like the boy’s parents; he knew that it was one of the four Baronies of Brittany and everything he could possibly have hoped for his adopted daughter; it was an old and respected name, with solid connexions in its native province. A prince would have been out of the question and, moreover, not altogether desirable. This was the very thing. The Princess then asked Legrandin to call. Physically he had changed considerably of late, on the whole for the better. Like those women who deliberately sacrifice their faces to the slimness of their figures and never stir from Marienbad, he had acquired the breezy air of a cavalry officer. He had taken up tennis at the age of fifty-five. In proportion as M. de Charlus had thickened and slowed down, Legrandin had become slimmer and brisker, the contrary effect of an identical cause. This velocity of movement had its psychological reasons as well. He was in the habit of frequenting certain low haunts where he did not wish to be seen going in or coming out: he would hurl himself into them.

When the Princesse de Parme spoke to him of the Guermantes family and of Saint-Loup, he declared that he had known them all his life, making a sort of compound of the fact that he had always known by name the proprietors of Guermantes and the fact that he had met in person, at my aunt’s house, Swann, the father of the future Mme de Saint-Loup—although he had always refused to have anything to do with Swann’s wife and daughter at Combray. “Indeed, I travelled quite recently with the brother of the Duc de Guermantes, M. de Charlus. It was he who spontaneously engaged me in conversation, which is always a good sign, for it proves that a man is neither a strait-laced fool nor a pretentious snob. Oh, I know all the things that people say about him. But I never pay any attention to gossip of that sort. Besides, the private life of other people is not my business. He gave me the impression of having a sensitive nature and a cultivated mind.” Then the Princesse de Parme spoke of Mlle d’Oloron. In the Guermantes circle people waxed sentimental about the nobility of heart of M. de Charlus who, generous as always, was securing the future happiness of a penniless but charming girl. And the Duc de Guermantes, who suffered from his brother’s reputation, let it be understood that, fine as this conduct was, it was wholly natural. “I don’t know if I make myself clear, but everything in the affair is natural,” he said, with calculated maladroitness. His object was to indicate that the girl was a daughter of his brother whom the latter acknowledged. This accounted at the same time for Jupien. The Princesse de Parme hinted at this version of the story to show Legrandin that after all young Cambremer would be marrying something in the nature of Mlle de Nantes, one of those bastards of Louis XIV who were scorned neither by the Duc d’Orleans nor by the Prince de Conti.

These two marriages which my mother and I discussed in the train that was taking us back to Paris had quite remarkable effects upon several of the characters who have figured in the course of this narrative. First of all upon Legrandin; needless to say, he swept like a hurricane into M. de Charlus’s town house, for all the world as though he were entering a house of ill-fame where he must on no account be seen, and also, at the same time, to display his mettle and to conceal his age—for our habits accompany us even into places where they serve no useful purpose—and scarcely anybody observed that M. de Charlus greeted him with a smile which was hard to detect and harder still to interpret; this smile was similar in appearance—though in fact it was precisely the opposite—to the smile which two men who are in the habit of meeting in the best society exchange if they happen to meet in what they regard as disreputable surroundings (such as the Elysée where General de Froberville, whenever he met Swann there in the old days, would assume, on catching sight of him, an expression of ironical and mysterious complicity appropriate between two habitués of the

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