India (Frommer's, 4th Edition) - Keith Bain [152]
Cave 4 is incomplete, but its grandiose design makes it the largest of the Ajanta monasteries. Take a quick look, then head for Cave 2. The facade features images of Naga kings and their entourage. Inside the sanctum, a glorious mandala dominates the ceiling amid a profusion of beautiful floral designs, concentric circles, and abstract geometric designs with fantastic arrangements of flying figures, beasts, birds, flowers, and fruits. On the walls, well-preserved panels relate the birth of the Buddha.
Cave 1 is one of the finest and most popular of the viharas at Ajanta, especially renowned for the fantastic murals of two bodhisattvas (saintly beings destined to become the Buddha) that flank the doorway of the antechamber. To the right, holding a thunderbolt, is Avalokitesvara (or Vajrapani), the most significant bodhisattva in Mahayana Buddhism. To the left is bejeweled Padmapani, his eyes cast humbly downward, a water lily in his hand. Within the antechamber is a huge seated Buddha with the Wheel of Dharma (or life) beneath his throne—his hands are in the Dharmachakra pravartana mudra, the gesture that initiates the motion of the wheel. On the wall to the right of the Buddha is an image of the dark princess being offered lotuses by another damsel.
Last but not least, for a magnificent view of the entire Ajanta site and an idea of just why this particular spot was chosen, visit the viewing platforms on the opposite side of the river; the natural beauty of this horseshoe-shaped cliff is the perfect setting for a project so singularly inspired by spiritual fervor. It may even be the ideal starting point for your exploration.
Note: You will be required to remove your shoes before entering many of the caves, so take comfortable (and cheap) footwear that slips on and off easily.
Rs 250. Tues–Sun 8am–6pm. No flash photography.
Ajanta Travel Advisory
The drive from Aurangabad to Ajanta takes between 2 and 3 hours, so you’re advised to set off early in the day to avoid as much of the midday heat as possible. There are two ways of getting to the caves. Generally, visitors are dropped off in the public parking lot, several miles from the caves themselves; here you’ll find stalls selling awful souvenirs, snacks, and tourist paraphernalia, and “guides” flogging their services. You’ll also find green, eco-friendly buses that are the only vehicles allowed in the vicinity of the caves. Purchase a ticket (Rs 30) and hop aboard for the short drive from the Fardapur T-junction to the Ajanta ticket office.
A far more rigorous but rewarding alternative is to have your driver drop you at the “Viewpoint,” reached via a turnoff some distance before the official parking facility. From here you can take in a panoramic view of the site across the river, then make your way down the rather difficult pathway (don’t attempt this route if you’re unsteady on your feet) and eventually to a footbridge that spans the Waghora River. Make for the ticket booth and proceed to the caves. Be sure to arrange to have your driver collect you from the parking lot when you’re done.
THE BUDDHIST, HINDU & JAIN CAVES OF ELLORA
30km (19 miles) NW of Aurangabad
Ellora’s 34 rock-sculpted temples, created sometime between the 4th and 9th centuries, were chiseled out of the hillside by Buddhists, Hindus, and Jains. A visit here allows for an excellent comparison of the stylistic features and narrative concerns of three distinct but compatible spiritual streams.
Of the 12 Buddhist cave-temples, carved between the 6th and 8th centuries, the largest is Cave 5. The “cave of the celestial carpenter, Vishwakarma” (Cave 10), is acknowledged to be most beautiful of the Buddhist group. A large ribbed, vaulted chamber, it houses a big figure of the Teaching Buddha, while smaller figures look down from panels above. The atmosphere here is chilling, a place for the suspension of worldly realities and for complete