Interesting Times - Eric Hobsbawm [200]
I recall my first visit to Sicily in 1953, where I was taken under the wing of Michele Sala, mayor and deputy of Piana degli Albanesi, a red stronghold since 1893 when the noble Dr Nicola Barbato had preached the gospel of socialism to the inhabitants of what was then Piana dei Greci from the rock in the remote mountain pass of Portella della Ginestra, still known as the Barbato Stone. (In his youth Michele Sala, born in the neighbourhood, had himself heard the good word from the apostle’s lips.)8 Rain or shine, war, peace or fascism, some Pianesi had never since then failed on the first of May to send a demonstration to this place. The occasion in 1947 when the bandit Giuliano massacred this May Day meeting has been wonderfully reconstructed in Francesco Rosi’s superb film Salvatore Giuliano. Shortly after this the Party had sent Sala to take charge of this complicated part of Sicily. He had the Sicilian sense of realism. In his youth he had signed up, among others, Giuseppe Berti, a leading communist in the Comintern era, and then a student in Palermo, because having carefully situated the socialist office strategically in an apartment facing the exit to a brothel, he could rely on meeting potential recruits ready for red propaganda in a relaxed mood. He had combined this with the hardnosed political experience of Brooklyn, where he spent twenty years of political emigration and learned enough English to show me the masses of masonry with which he was filling the outskirts of town (‘lotta guys need jobs’), as we criss-crossed it in his mayoral car, greeting citizens to the right and left (‘In this town I know who I gotta say hello to!’).
I was shown the cemetery, or rather the necropolis of the Matrangas, Schiròs, Barbatos, Loyacanos and the rest of the Albanian Christian families who had emigrated to southern Italy and Sicily in the fifteenth and sixteenth centuries. Every modern gravestone, large or small, had the photograph of the departed. Death, respected and unforgotten, was always present in Piana. I saw what was still taken for granted, the silent black-clad women sitting in the street, but always facing indoors. We