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Is Journalism Worth Dying For__ Final Dispatches - Anna Politkovskaya [1]

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hospital we had a talk. She was preparing an article about Chechnya, and I simply begged her to be careful. I remember she said, “Of course I know the sword of Damocles is always hanging over me. I know it, but I won’t give in.”

Raisa Mazepa (Anna Politkovskaya’s mother), Novaya gazeta,

October 23, 2006

SO WHAT AM I GUILTY OF?


This article was found in Anna Politkovskaya’s computer after her death and is addressed to readers abroad.

“Koverny,” a Russian clown whose job in the olden days was to keep the audience laughing while the circus arena was changed between acts. If he failed to make them laugh, the ladies and gentlemen booed him and the management sacked him.

Almost the entire present generation of Russian journalists, and those sections of the mass media which have survived to date, are clowns of this kind, a Big Top of kovernys whose job is to keep the public entertained and, if they do have to write about anything serious, then merely to tell everyone how wonderful the Pyramid of Power is in all its manifestations. The Pyramid of Power is something President Putin has been busy constructing for the past five years, in which every official – from top to bottom, the entire bureaucratic hierarchy – is appointed either by him personally or by his appointees. It is an arrangement of the state which ensures that anybody given to thinking independently of their immediate superior is promptly removed from office. In Russia the people thus appointed are described by Putin’s Presidential Administration, which effectively runs the country, as “on side.” Anybody not on side is an enemy. The vast majority of those working in the media support this dualism. Their reports detail how good on-side people are, and deplore the despicable nature of enemies. The latter include liberally inclined politicians, human rights activists, and “enemy” democrats, who are generally characterised as having sold out to the West. An example of an on-side democrat is, of course, President Putin himself. The newspapers and television give top priority to detailed “exposés” of the grants enemies have received from the West for their activities.

Journalists and television presenters have taken enthusiastically to their new role in the Big Top. The battle for the right to convey impartial information, rather than act as servants of the Presidential Administration, is already a thing of the past. An atmosphere of intellectual and moral stagnation prevails in the profession to which I too belong, and it has to be said that most of my fellow journalists are not greatly troubled by this reversion from journalism to propagandising on behalf of the powers that be. They openly admit that they are fed information about enemies by members of the Presidential Administration, and are told what to cover and what to steer clear of.

What happens to journalists who don’t want to perform in the Big Top? They become pariahs. I am not exaggerating.

My last assignment to the North Caucasus, to report from Chechnya, Ingushetia, and Dagestan, was in August 2006. I wanted to interview a senior Chechen official about the success or failure of an amnesty for resistance fighters which the Director of the Federal Security Bureau, the FSB, had declared.

I scribbled down an address in Grozny, a ruined private house with a broken fence on the city’s outskirts, and slipped it to him without further explanation. We had talked in Moscow about the fact that I would be coming and would want to interview him. A day later he sent someone there who said cryptically, “I have been asked to tell you everything is fine.” That meant the official would see me, or more precisely that he would come strolling in carrying a string bag and looking as if he had just gone out to buy a loaf of bread.

His information was invaluable, and completely undermined the official account of how the amnesty was going. It was conveyed to me in a room two metres square with a tiny window whose curtains were firmly drawn. Before the war it had been a shed, but when the main house was bombed its

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