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EPILOGUE AND PROVOCATION

1. Gal 22.

2. Bickley Joachim Letters 458.

3. Notley 117n.

4. See Burkholder’s “Viewpoint: Brahms and Twentieth-Century Classical Music,” which has been a primary spur to my thinking. Our differences arise out of contrasting emphases on the question of what constitute the essential qualities of Modernism—and that is indeed a gigantic question, far from being resolved by scholarship or criticism.

5. Janik/Toulmin 45.

6. Schorske 8–9.

7. Latham 18.

8. McColl 102.

9. Janik/Toulmin 67.

10. MacDonald 417.

11. Schorske 19.

12. Gay 253.

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