Johannes Brahms_ A Biography - Jan Swafford [411]
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———. The Idea of Absolute Music. Translated by Roger Lustig. Chicago and London: University of Chicago Press, 1989.
———. Nineteenth-Century Music. Translated by J. Bradford Robinson. Berkeley and Los Angeles: University of California Press, 1989.
Dietrich, Albert, and J. V. Widmann. Recollections of Johannes Brahms. Translated by Dora E. Hecht. New York: Charles Scribner’s Sons, 1899.
Dittrich, Marie-Agnes. Musikstädte der Welt: Hamburg. Laaber: Laaber-Verlag, 1990.
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Drinker, Henry S. The Chamber Music of Johannes Brahms. Philadelphia: Elkan-Vogel, 1932.
Drinker, Sophie. Brahms and His Women’s Choruses. Publ. by author: Merion, Penn., 1952.
Ehrmann, Alfred von. “The ‘Terrible’ Brahms.” The Musical Quarterly 23, 1937.
Einstein, Alfred. Music in the Romantic Era. New York: W. W. Norton and Co., 1947.
Epstein, David. “Brahms and the Mechanisms of Motion.” In Brahms Studies, edited by George S. Bozarth. Oxford: Clarendon Press, 1990.
Fellinger, Imogen. “Brahms’s ‘Way’: A Composer’s Self-view.” In Brahms 2: Biographical, Documentary and Analytical Studies, edited by Michael Musgrave. Cambridge and New York: Cambridge University Press, 1987.
Frisch, Walter. Brahms: The Four Symphonies. New York: Schirmer Books, 1996.
———. Brahms and the Principle of Developing Variation. 1984. Reprint. Berkeley and Los Angeles: University of California Press, 1990.
———. “Metrical Displacement in Brahms.” In Brahms Studies, edited by George S. Bozarth. Oxford: Clarendon Press, 1990.
———, ed. Brahms and His World. Princeton, N.J.: Princeton University Press, 1990.
Gal, Hans. Johannes Brahms: His Work and Personality. Translated by Joseph Stein. New York: Alfred A. Knopf, 1963. Reprint. Westport, Conn.: Greenwood Press, 1977.
Garlington, Aubrey S., Jr. “Harzreise als Herzreize: Brahms’s Alto Rhapsody.” The Musical Quarterly 69/4, Fall 1983.
Gartenberg, Egon. Mahler: The Man and His Music. London: Cassell, 1978.
———. Vienna: Its Musical Heritage. University Park and London: Pennsylvania State University Press, 1968. (Called “Gartenberg” in notes.)
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Geiringer, Karl. “Wagner and Brahms, with Unpublished Letters.” The Musical Quarterly 22/2, 1936.
———. “Brahms’ Prickly Pet.” The Étude, February 1941.
———. Brahms: His Life and Work. Reprint of the 1948 second edition, with supplements by author and wife. New York: Da Capo Press, 1981 and 1982.
———. “Brahms as a Musicologist.” The Musical Quarterly LXIX/4, Fall 1983.
———. “Brahms the Ambivalent.” In Brahms Studies, edited by George S. Bozarth. Oxford: Clarendon Press, 1990.
Glaser, Hermann, ed. The German Mind of the 19th Century: A Literary & Historical Anthology. New York: Continuum, 1981.
Goldman, Albert, and Evert Sprinchorn, eds. Richard Wagner on Music & Drama. Translated by H. Ashton Ellis. Lincoln and London: University of Nebraska Press, 1964. Reprint. Lincoln: Bison, 1992.
Graf, Max. Legend of a Musical City. New York: Philosophical Library, 1945.
———. Composer and Critic: Two Hundred Years of Musical Criticism. New York: W. W. Norton and Co., 1946.
Gutman, Robert W. Richard Wagner: The Man, His Mind, and His Music. San Diego and New York: Harcourt Brace Jovanovich, 1990.
Hancock, Virginia. Brahms’s Choral Compositions and His Library of Early Music. Ann Arbor: UMI Research Press, 1983.
———. “Brahms’s Performance of Early Choral Music.” 19th-Century Music VIII/2, Fall 1984.
Hanslick, Eduard. Hanslick’s Music Criticism. Translated and edited by Henry Pleasants. New York: Penguin Books, 1963. Reprint. New York: Dover Publications, 1988.
———. “Brahms’s Newest Instrumental Compositions.