Les miserables (Abridged) - Victor Hugo [257]
He climbed upon the bureau, put his eye to the crevice, and looked.
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THE WILD MAN IN HIS LAIR
CITIES, like forests, have their dens in which hide all their most evil and terrible monsters. But in cities, what hides thus is ferocious, unclean, and small, that is to say, ugly; in forests, what hides is ferocious, savage, and large, that is to say, beautiful. Den for den, those of beasts are preferable to those of men. Caverns are better than the wretched holes which shelter humanity.
What Marius saw was a hole.
Marius was poor and his room was poorly furnished, but even as his poverty was noble, his garret was clean. The den into which his eyes were at that moment directed, was abject, filthy, fetid, infectious, gloomy, sordid. All the furniture was a straw chair, a rickety table, a few old broken dishes, and in two of the corners two indescribable pallets; all the light came from a dormer window of four panes, curtained with spiders’ webs. Just enough light came through that loophole to make a man’s face appear like the face of a phantom. The walls had a leprous look, and were covered with seams and scars like a face disfigured by some horrible malady; a putrid moisture oozed from them. Obscene pictures could be discovered upon them coarsely sketched in charcoal.
The room which Marius occupied had a broken brick pavement; this one was neither paved nor floored; the inmates walked immediately upon the old plastering of the ruinous tenement, which had grown black under their feet. Upon this uneven soil where the dust was, as it were, incrusted, and which was virgin soil in respect only of the broom, were grouped at random constellations of socks, old shoes, and hideous rags; however, this room had a fireplace; so it rented for forty francs a year. In the fireplace there was a little of everything, a chafing-dish, a kettle, some broken boards, rags hanging on nails, a bird cage, some ashes, and even a little fire. Two embers were smoking sullenly.
The size of this garret added still more to its horror. It had projections, angles, black holes, recesses under the roof, bays, and promontories. Beyond were hideous, unfathomable corners, which seemed as if they must be full of spiders as big as one’s fist, centipedes as large as one’s foot, and perhaps even some unknown monsters of humanity.
One of the pallets was near the door, the other near the window. Each had one end next the fireplace and both were opposite Marius. In a corner near the opening through which Marius was looking, hanging upon the wall in a black wooden frame, was a coloured engraving at the bottom of which was written in large letters: THE DREAM. It represented a sleeping woman and a sleeping child, the child upon the woman’s lap, an eagle in a cloud with a crown in his beak, and the woman pushing away the crown from the child’s head, but without waking; in the background Napoleon in a halo, leaning against a large blue column with a yellow capital adorned with this inscription:
MARINGO
AUSTERLITS
IENA
WAGRAMME
ELOTds
Below this frame a sort of wooden panel longer than it was wide was standing on the floor and leaning at an angle against the wall. It had the appearance of a picture set against the