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Little Rivers [43]

By Root 2486 0
such a

legend as this. The cottage may have been rebuilt a dozen times

since Titian's day; not a scrap of the original stone or plaster

may remain; but beyond a doubt the view that we saw from the window

is the same that Titian saw. Now, for the first time, I could

understand and appreciate the landscape-backgrounds of his

pictures. The compact masses of mountains, the bold, sharp forms,

the hanging rocks of cold gray emerging from green slopes, the

intense blue aerial distances--these all had seemed to be unreal

and imaginary--compositions of the studio. But now I knew that,

whether Titian painted out-of-doors, like our modern

impressionists, or not, he certainly painted what he had seen, and

painted it as it is.



The graceful brown-eyed boy who showed us the house seemed also to

belong to one of Titian's pictures. As we were going away, the

Deacon, for lack of copper, rewarded him with a little silver

piece, a half-lira, in value about ten cents. A celestial rapture

of surprise spread over the child's face, and I know not what

blessings he invoked upon us. He called his companions to rejoice

with him, and we left them clapping their hands and dancing.



Driving after one has dined has always a peculiar charm. The

motion seems pleasanter, the landscape finer than in the morning

hours. The road from Cadore ran on a high level, through sloping

pastures, white villages, and bits of larch forest. In its narrow

bed, far below, the river Boite roared as gently as Bottom's lion.

The afternoon sunlight touched the snow-capped pinnacle of Antelao

and the massive pink wall of Sorapis on the right; on the left,

across the valley, Monte Pelmo's vast head and the wild crests of

La Rochetta and Formin rose dark against the glowing sky. The

peasants lifted their hats as we passed, and gave us a pleasant

evening greeting. And so, almost without knowing it, we slipped

out of Italy into Austria, and drew up before a bare, square stone

building with the double black eagle, like a strange fowl split for

broiling, staring at us from the wall, and an inscription to the

effect that this was the Royal and Imperial Austrian Custom-house.



The officer saluted us so politely that we felt quite sorry that

his duty required him to disturb our luggage. "The law obliged him

to open one trunk; courtesy forbade him to open more." It was

quickly done; and, without having to make any contribution to the

income of His Royal and Imperial Majesty, Francis Joseph, we rolled

on our way, through the hamlets of Acqua Bona and Zuel, into the

Ampezzan metropolis of Cortina, at sundown.



The modest inn called "The Star of Gold" stood facing the public

square, just below the church, and the landlady stood facing us in

the doorway, with an enthusiastic welcome--altogether a most

friendly and entertaining landlady, whose one desire in life seemed

to be that we should never regret having chosen her house instead

of "The White Cross," or "The Black Eagle."



"O ja!" she had our telegram received; and would we look at the

rooms? Outlooking on the piazza, with a balcony from which we

could observe the Festa of to-morrow. She hoped they would please

us. "Only come in; accommodate yourselves."



It was all as she promised; three little bedrooms, and a little

salon opening on a little balcony; queer old oil-paintings and

framed embroideries and tiles hanging on the walls; spotless

curtains, and board floors so white that it would have been a shame

to eat off them without spreading a cloth to keep them from being

soiled.



"These are the rooms of the Baron Rothschild when he comes here

always in the summer--with nine horses and nine servants--the Baron

Rothschild of Vienna."



I assured her that we did not know the Baron, but that should make

no difference. We would not ask her to reduce the price on account

of a little thing like that.



She did not
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