Perdido Street Station - China Mieville [26]
I emerge into streets that wind like dark rivers through cavernous brick rockfaces. The moon and her little shining daughters glimmer wanly. Cold winds ooze like molasses down from the foothills and the mountains and clog the night-city with drifting rubbish. I share the streets with aimlessly moving scraps of paper and little whirlwinds of dust, with motes that pass like erratic thieves under eaves and through doors.
I remember the desert winds: the Khamsin that scourges the land like smokeless fire; the Föhm that bursts from hot mountainsides as if in ambush; the sly Simoom that inveigles its way through leather sandscreens and library doors.
The winds of this city are a more melancholy breed. They explore like lost souls, looking in at dusty gaslit windows. We are brethren, the city-winds and I. We wander together.
We have found sleeping beggars that clutch each other and congeal for warmth like lower creatures, forced back down evolutionary strata by their poverty.
We have seen the city’s night-porters fish the dead from the rivers. Dark-suited militia tugging with hooks and poles at bloated bodies with eyes ripped from their heads, the blood set and gelatinous in their sockets.
We have watched mutant creatures crawl from sewers into cold flat starlight and whisper shyly to each other, drawing maps and messages in the faecal mud.
I have sat with the wind at my side and seen cruel things, wicked things.
My scars and bonestubs itch. I am forgetting the weight, the sweep, the motion of wings. If I were not garuda I would pray. But I will not obeise myself before arrogant spirits.
Sometimes I make my way to the warehouse where Grimnebulin reads and writes and scrawls, and I climb silently to the roof, and I lie with my back to the slate. The thought of all that energy of his mind channelled towards flight, my flight, my deliverance, lessens the itching in my ruined back. The wind tugs me harder when I am here: it feels betrayed. It knows that if I am made whole it will lose its nighttime companion in the brick mire and midden of New Crobuzon. So it chastises me when I lie there, suddenly threatening to pull me from my perch into the wide stinking river, clutching my feathers, fat petulant air warning me not to leave it; but I grip the roof with my claws and let the healing vibrations pass up from Grimnebulin’s mind through the crumbling slate into my poor flesh.
I sleep in old arches under the thundering railtracks.
I eat whatever organic thing I find that will not kill me.
I hide like a parasite in the skin of this old city that snores and farts and rumbles and scratches and swells and grows warty and pugnacious with age.
Sometimes I clamber to the top of the huge, huge towers that teeter like porcupine spines from the city’s hide. Up in the thinner air, the winds lose the melancholy curiosity they have at street level. They abandon their second-floor petulance. Stirred by towers that poke above the host of city light—intense white carbide lamps, smoke-burnished red of lit grease, tallow twinkling, frenetic sputtering gas flare, all anarchic guards against the dark—the winds rejoice and play.
I can dig my claws into the rim of a building’s crown and spread my arms and feel the buffets and gouts of boisterous air and I can close my eyes and remember, for a moment, what it is to fly.
PART TWO
Physiognomies of Flight
CHAPTER SIX
New Crobuzon was a city unconvinced by gravity.
Aerostats oozed from cloud to cloud above it like slugs on cabbages. Militia-pods streaked through the heart of the city to its outlands, the cables that held them twanging and vibrating like guitar strings hundreds of feet in the air. Wyrmen clawed their way above the city leaving trails of defecation and profanity. Pigeons shared the air with jackdaws and hawks and sparrows and