Piracy_ The Intellectual Property Wars from Gutenberg to Gates - Adrian Johns [309]
9 M. Rose, Authors and Owners: The Invention of Copyright (Cambridge, Mass.: Harvard University Press, 1993),147; D. Hunter, "Copyright Protection for Engravings and Maps in Eighteenth-Century Britain," The Library, ser. 6, 9 (1987): 128-47; E E. Manuel, Isaac Newton, Historian (Cambridge: Cambridge University Press, 1963), 29-36; P. Baines and P. Rogers, Edmund Curll, Bookseller (Oxford: Clarendon Press, 2007), 246-76.
Io The origin of modern theories on this subject is, of course, J. Habermas, The Structural Transformation of the Public ,Sphere: An Inquiry into a Category ofBourgeois Society, trans. T. Burger and F. Lawrence (Cambridge: Polity, 1989; orig. 1962). There is now a very large literature on it. Good accounts of the British, French, and German literature are J. Brewer, "This, That and the Other: Public, Social and Private in the Seventeenth and Eighteenth Centuries," in Shifting the Boundaries: Transformation of the Languages ofPublic and Private in the Eighteenth Century, ed. D. Castiglione and L. Sharpe (Exeter: University of Exeter Press, 1995),1-21; R. Chartier, The Cultural Origins of the French Revolution, trans. L. Cochrane (Durham, N.C.: Duke University Press, i99i); and B. W. Redekop, Enlightenment and Community: Lessing Abbt, Herder, and the Quest for a German Public (Montreal: McGill-Queen's University Press, 2000). For an introduction, see T. C. W. Blanning, The Culture of Power and the Power of Culture (Oxford: Oxford University Press, 2002), 103-82; and for theoretical perspectives, extending well beyond the eighteenth century, M. Warner, Publics and Counteipublics (New York: Zone, 2002).
ii [D. Defoe], "Miscellanea," Review VI, no. 104 (December 3,1709):415.
12 J. Girdham, English Opera in Late Eighteenth-Century London: Stephen Storace at Drury Lane (Oxford: Oxford University Press, 1997), 83-98; Melvyn New, "Sterne, Laurence (1713-1768)," in Oxford Dictionary ofNational Biography (Oxford: Oxford University Press, 20o4); Johns, Nature of the Book, 320, 460.
13 R. Darnton, "The Science of Piracy: A Crucial Ingredient in EighteenthCentury Publishing," Studies in Voltaire and the Eighteenth Century 12 (2003): 3-29; J. C. Attig, The Works of john Locke: A Comprehensive Bibliography from the Seventeenth Century to the Present (Westport, Conn.: Greenwood Press, 1985);J. S. Yoltonjohn Locke.A Descriptive Bibliography (Bristol: Thoemmes Press, 1998); J.-A. E. McEachern, Bibliography of the Writings of7eanJacques Rousseau to i8oo, vol. i Julie, on la Nouvelle Heloi'se (Oxford: Voltaire Foundation, 1993); Blanning, The Culture of Power, 251-52;j. I. Israel, Radical Enlightenment: Philosophy and the Making of Modernity,16So-1750 (Oxford: Oxford University Press, 2001), esp. 275-94, 684-7030. Champion, Republican Learning:John Toland and the Crisis of Christian Culture, 169 6- r722 (Manchester: Manchester University Press, 2003), 45-68; M. C. Jacob, The Radical Enlightenment: Pantheists, Freemasons and Republicans (London: George Allen and Unwin,1981),182-2o8. For fireworks, see S. Werrett, "Explosive Affinities: Pyrotechnic Knowledge in Early Modern Europe," in Making Knowledge in Early Modern Europe: Practices, Objects, and Texts, 1400-1800, ed. P. Smith and B. Schmidt (Chicago: University of Chicago Press, 20o7), 68-69.
14 Marquis de Condorcet, "Fragments concerning Freedom of the Press," extracts trans. A. Goldhammer, in Daedalus 131, no. 2 (Spring 2002): 57-59.
15 C. Hesse, Publishing and Cultural Politics in Revolutionary Paris, 1789-1810 (Berkeley: University of California Press, 1991); C. Hesse, "Economic Upheavals in Publishing," in Revolution in Print: The Press in France r795- i8oo, ed. R. Darnton and D. Roche (Berkeley: University of California Press, 1989), 69-97; G. S. Brown, `After the Fall: The chute of a Play, droits d'auteur, and Literary Property in the Old Regime," French Historical Studies 22, no. 4 (Fall 1999): 465-91. See also (but with caution) J. Boncompain, La Revolution desAuteurs: Naissance de la Propriete Intellectuelle (1773-1815)