Reading Lolita in Tehran_ A Memoir in Books - Azar Nafisi [43]
The only way to leave the circle, to stop dancing with the jailer, is to find a way to preserve one’s individuality, that unique quality which evades description but differentiates one human being from the other. That is why, in their world, rituals—empty rituals—become so central. There was not much difference between our jailers and Cincinnatus’s executioners. They invaded all private spaces and tried to shape every gesture, to force us to become one of them, and that in itself was another form of execution.
In the end, when Cincinnatus is led to the scaffold, and as he lays his head on the scaffold, in preparation for his execution, he repeats the magic mantra: “by myself.” This constant reminder of his uniqueness, and his attempts to write, to articulate and create a language different from the one imposed upon him by his jailers, saves him at the last moment, when he takes his head in his hands and walks away towards voices that beckon him from that other world, while the scaffold and all the sham world around him, along with his executioner, disintegrate.
PART II
Gatsby
1
A young woman stands alone in the midst of a crowd at the Tehran airport, backpack on her back, a large bag hanging from one shoulder, pushing an oversize carry-on with the tips of her toes. She knows that her husband of two years and her father must be somewhere out there with the suitcases. She stands in the customs area, teary-eyed, desperately looking for a sympathetic face, for someone she can cling to and say, Oh how happy, how glad, how absolutely happy I am to be back home. At long last, here to stay. But no one so much as smiles. The walls of the airport have dissolved into an alien spectacle, with giant posters of an ayatollah staring down reproachfully. Their mood is echoed in the black and bloodred slogans: DEATH TO AMERICA! DOWN WITH IMPERIALISM & ZIONISM! AMERICA IS OUR NUMBER-ONE ENEMY!
Not having registered as yet that the home she had left seventeen years before, at the age of thirteen, was not home anymore, she stands alone, filled with emotions wriggling this way and that, ready to burst at the slightest provocation. I try not to see her, not to bump into her, to pass by unnoticed. Yet there is no way I can avoid her.
This airport, the Tehran airport, has always brought out the worst in me. When I left it the first time, it was a hospitable and magical place, with a fine restaurant that hosted dances on Friday evenings and a coffee shop with big French windows opening onto a balcony. As children my brother and I stood transfixed by those windows, eating ice cream as we counted the planes. Always on arrival there was a particular moment of epiphany, when suddenly a blanket of lights signaled that we had arrived, that Tehran was lying in wait for us below. For seventeen years I dreamed of those lights, so beckoning and seductive. I dreamed of being submerged in them and of never having to leave again.
The dream had finally come true. I was home, but the mood in the airport was not welcoming. It was somber and slightly menacing, like the unsmiling portraits of Ayatollah Khomeini and his anointed