Redgauntlet [87]
yourself, and mindful of me, who am ever thine, while ALAN FAIRFORD.
From circumstances, to be hereafter mentioned, it was long ere this letter reached the person to whom it was addressed.
*
CHAPTER I
NARRATIVE
The advantage of laying before the reader, in the words of the actors themselves, the adventures which we must otherwise have narrated in our own, has given great popularity to the publication of epistolary correspondence, as practised by various great authors, and by ourselves in the preceding chapters. Nevertheless, a genuine correspondence of this kind (and Heaven forbid it should be in any respect sophisticated by interpolations of our own!) can seldom be found to contain all in which it is necessary to instruct the reader for his full comprehension of the story. Also it must often happen that various prolixities and redundancies occur in the course of an interchange of letters, which must hang as a dead weight on the progress of the narrative. To avoid this dilemma, some biographers have used the letters of the personages concerned, or liberal extracts from them, to describe particular incidents, or express the sentiments which they entertained; while they connect them occasionally with such portions of narrative, as may serve to carry on the thread of the story.
It is thus that the adventurous travellers who explore the summit of Mont Blanc now move on through the crumbling snowdrift so slowly, that their progress is almost imperceptible, and anon abridge their journey by springing over the intervening chasms which cross their path, with the assistance of their pilgrim- staves. Or, to make a briefer simile, the course of story- telling which we have for the present adopted, resembles the original discipline of the dragoons, who were trained to serve either on foot or horseback, as the emergencies of the service required. With this explanation, we shall proceed to narrate some circumstances which Alan Fairford did not, and could not, write to his correspondent.
Our reader, we trust, has formed somewhat approaching to a distinct idea of the principal characters who have appeared before him during our narrative; but in case our good opinion of his sagacity has been exaggerated, and in order to satisfy such as are addicted to the laudable practice of SKIPPING (with whom we have at times a strong fellow-feeling), the following particulars may not be superfluous.
Mr. Saunders Fairford, as he was usually called, was a man of business of the old school, moderate in his charges, economical and even niggardly in his expenditure, strictly honest in conducting his own affairs and those of his clients, but taught by long experience to be wary and suspicious in observing the motions of others. Punctual as the clock of Saint Giles tolled nine, the neat dapper form of the little hale old gentleman was seen at the threshold of the court hall, or at farthest, at the head of the Back Stairs, trimly dressed in a complete suit of snuff-coloured brown, with stockings of silk or woollen as, suited the weather; a bob-wig, and a small cocked hat; shoes blacked as Warren would have blacked them; silver shoe-buckles, and a gold stock-buckle. A nosegay in summer, and a sprig of holly in winter, completed his well-known dress and appearance. His manners corresponded with his attire, for they were scrupulously civil, and not a little formal. He was an elder of the kirk, and, of course, zealous for King George and the Government even to slaying, as he had showed by taking up arms in their cause. But then, as he had clients and connexions of business among families of opposite political tenets, he was particularly cautious to use all the conventional phrases which the civility of the time had devised, as an admissible mode of language betwixt the two parties. Thus he spoke sometimes of the Chevalier, but never either of the Prince, which would have been sacrificing his own principles, or of the Pretender, which would have been offensive to those of others. Again, he usually designated the Rebellion
From circumstances, to be hereafter mentioned, it was long ere this letter reached the person to whom it was addressed.
*
CHAPTER I
NARRATIVE
The advantage of laying before the reader, in the words of the actors themselves, the adventures which we must otherwise have narrated in our own, has given great popularity to the publication of epistolary correspondence, as practised by various great authors, and by ourselves in the preceding chapters. Nevertheless, a genuine correspondence of this kind (and Heaven forbid it should be in any respect sophisticated by interpolations of our own!) can seldom be found to contain all in which it is necessary to instruct the reader for his full comprehension of the story. Also it must often happen that various prolixities and redundancies occur in the course of an interchange of letters, which must hang as a dead weight on the progress of the narrative. To avoid this dilemma, some biographers have used the letters of the personages concerned, or liberal extracts from them, to describe particular incidents, or express the sentiments which they entertained; while they connect them occasionally with such portions of narrative, as may serve to carry on the thread of the story.
It is thus that the adventurous travellers who explore the summit of Mont Blanc now move on through the crumbling snowdrift so slowly, that their progress is almost imperceptible, and anon abridge their journey by springing over the intervening chasms which cross their path, with the assistance of their pilgrim- staves. Or, to make a briefer simile, the course of story- telling which we have for the present adopted, resembles the original discipline of the dragoons, who were trained to serve either on foot or horseback, as the emergencies of the service required. With this explanation, we shall proceed to narrate some circumstances which Alan Fairford did not, and could not, write to his correspondent.
Our reader, we trust, has formed somewhat approaching to a distinct idea of the principal characters who have appeared before him during our narrative; but in case our good opinion of his sagacity has been exaggerated, and in order to satisfy such as are addicted to the laudable practice of SKIPPING (with whom we have at times a strong fellow-feeling), the following particulars may not be superfluous.
Mr. Saunders Fairford, as he was usually called, was a man of business of the old school, moderate in his charges, economical and even niggardly in his expenditure, strictly honest in conducting his own affairs and those of his clients, but taught by long experience to be wary and suspicious in observing the motions of others. Punctual as the clock of Saint Giles tolled nine, the neat dapper form of the little hale old gentleman was seen at the threshold of the court hall, or at farthest, at the head of the Back Stairs, trimly dressed in a complete suit of snuff-coloured brown, with stockings of silk or woollen as, suited the weather; a bob-wig, and a small cocked hat; shoes blacked as Warren would have blacked them; silver shoe-buckles, and a gold stock-buckle. A nosegay in summer, and a sprig of holly in winter, completed his well-known dress and appearance. His manners corresponded with his attire, for they were scrupulously civil, and not a little formal. He was an elder of the kirk, and, of course, zealous for King George and the Government even to slaying, as he had showed by taking up arms in their cause. But then, as he had clients and connexions of business among families of opposite political tenets, he was particularly cautious to use all the conventional phrases which the civility of the time had devised, as an admissible mode of language betwixt the two parties. Thus he spoke sometimes of the Chevalier, but never either of the Prince, which would have been sacrificing his own principles, or of the Pretender, which would have been offensive to those of others. Again, he usually designated the Rebellion