Sons and Lovers (Barnes & Noble Classics - D. H. Lawrence [50]
“Where’s Billy Pillins an’ your Annie an’ Eddie Dakin?”
“I don’t know.”
But it did not matter so much—there were three now. They set up a game round the lamp-post, till the others rushed up, yelling. Then the play went fast and furious.
There was only this one lamp-post. Behind was the great scoop of darkness, as if all the night were there. In front, another wide, dark way opened over the hill brow. Occasionally somebody came out of this way and went into the field down the path. In a dozen yards the night had swallowed them. The children played on.
They were brought exceedingly close together owing to their isolation. If a quarrel took place, the whole play was spoilt. Arthur was very touchy, and Billy Pillins—really Philips—was worse. Then Paul had to side with Arthur, and on Paul’s side went Alice, while Billy Pillins always had Emmie Limb and Eddie Dakin to back him up. Then the six would fight, hate with a fury of hatred, and flee home in terror. Paul never forgot, after one of these fierce internecine fights, seeing a big red moon lift itself up, slowly, between the waste road over the hill-top, steadily, like a great bird. And he thought of the Bible, that the moon should be turned to blood.4 And the next day he made haste to be friends with Billy Pillins. And then the wild, intense games went on again under the lamp-post, surrounded by so much darkness. Mrs. Morel, going into her parlour, would hear the children singing away:
“My shoes are made of Spanish leather,
My socks are made of silk;
I wear a ring on every finger,
I wash myself in milk.”by
They sounded so perfectly absorbed in the game as their voices came out of the night, that they had the feel of wild creatures singing. It stirred the mother; and she understood when they came in at eight o’clock, ruddy, with brilliant eyes, and quick, passionate speech.
They all loved the Scargill Street house for its openness, for the great scallop of the world it had in view. On summer evenings the women would stand against the field fence, gossiping, facing the west, watching the sunsets flare quickly out, till the Derbyshire hills ridged across the crimson far away, like the black crest of a newt.
In this summer season the pits never turned full time, particularly the soft coal. Mrs. Dakin, who lived next door to Mrs. Morel, going to the field fence to shake her hearth-rug, would spy men coming slowly up the hill. She saw at once they were colliers. Then she waited, a tall, thin, shrew-faced woman, standing on the hill brow, almost like a menace to the poor colliers who were toiling up. It was only eleven o’clock. From the far-off wooded hills the haze that hangs like fine black crape at the back of a summer morning had not yet dissipated. The first man came to the stile. “Chock-chock!” went the gate under his thrust.
“What, han’ yer knocked off?” cried Mrs. Dakin.
“We han, missis.”
“It’s a pity as they letn yer goo,” she said sarcastically.
“It is that,” replied the man.
“Nay, you know you’re fligbz to come up again,” she said.
And the man went on. Mrs. Dakin, going up her yard, spied Mrs. Morel taking the ashes to the ash-pit.
“I reckon Minton’s knocked off, missis,” she cried.
“Isn’t it sickenin!” exclaimed Mrs. Morel in wrath.
“Ha! But I’n just seed Jont Hutchby.”
“They might as well have saved their shoe-leather,” said Mrs. Morel. And both women went indoors disgusted.
The colliers, their faces scarcely blackened, were trooping home again. Morel hated to go back. He loved the sunny morning. But he had gone to pit to work, and to be sent home again spoilt his temper.
“Good gracious, at this time!” exclaimed his wife, as