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Swann's Way - Marcel Proust [149]

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fingers upon a tuneless piano. The little phrase continued to be associated in Swann’s mind with his love for Odette. He was well aware that his love was something that did not correspond to anything outside itself, verifiable by others besides him; he realised that Odette’s qualities were not such as to justify his setting so high a value on the hours he spent in her company. And often, when the cold government of reason stood unchallenged in his mind, he would readily have ceased to sacrifice so many of his intellectual and social interests to this imaginary pleasure. But the little phrase, as soon as it struck his ear, had the power to liberate in him the space that was needed to contain it; the proportions of Swann’s soul were altered; a margin was left for an enjoyment that corresponded no more than his love for Odette to any external object and yet was not, like his enjoyment of that love, purely individual, but assumed for him a sort of reality superior to that of concrete things. This thirst for an unknown delight was awakened in him by the little phrase, but without bringing him any precise gratification to assuage it. With the result that those parts of Swann’s soul in which the little phrase had obliterated all concern for material interests, those human considerations which affect all men alike, were left vacant by it, blank pages on which he was at liberty to inscribe the name of Odette. Moreover, in so far as Odette’s affection might seem a little abrupt and disappointing, the little phrase would come to supplement it, to blend with it its own mysterious essence. Watching Swann’s face while he listened to the phrase, one would have said that he was inhaling an anaesthetic which allowed him to breathe more freely. And the pleasure which the music gave him, which was shortly to create in him a real need, was in fact akin at such moments to the pleasure which he would have derived from experimenting with perfumes, from entering into contact with a world for which we men were not made, which appears to us formless because our eyes cannot perceive it, meaningless because it eludes our understanding, to which we may attain by way of one sense only. There was a deep repose, a mysterious refreshment for Swann—whose eyes, although delicate interpreters of painting, whose mind, although an acute observer of manners, must bear for ever the indelible imprint of the barrenness of his life—in feeling himself transformed into a creature estranged from humanity, blinded, deprived of his logical faculty, almost a fantastic unicorn, a chimaera-like creature conscious of the world through his hearing alone. And since he sought in the little phrase for a meaning to which his intelligence could not descend, with what a strange frenzy of intoxication did he strip bare his innermost soul of the whole armour of reason and make it pass unattended through the dark filter of sound! He began to realise how much that was painful, perhaps even how much secret and unappeased sorrow underlay the sweetness of the phrase; and yet to him it brought no suffering. What matter though the phrase repeated that love is frail and fleeting, when his love was so strong! He played with the melancholy which the music diffused, he felt it stealing over him, but like a caress which only deepened and sweetened his sense of his own happiness. He would make Odette play it over to him again and again, ten, twenty times on end, insisting that, as she did so, she must never stop kissing him. Every kiss provokes another. Ah, in those earliest days of love how naturally the kisses spring into life! So closely, in their profusion, do they crowd together that lovers would find it as hard to count the kisses exchanged in an hour as to count the flowers in a meadow in May. Then she would pretend to stop, saying: “How do you expect me to play when you keep on holding me? I can’t do everything at once. Make up your mind what you want: am I to play the phrase or play with you?”, and he would get angry, and she would burst out laughing, a laugh that was soon transformed
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