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Swann's Way - Marcel Proust [150]

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and descended upon him in a shower of kisses. Or else she would look at him sulkily, and he would see once again a face worthy to figure in Botticelli’s “Life of Moses”; he would place it there, giving to Odette’s neck the necessary inclination; and when he had finished her portrait in tempera, in the fifteenth century, on the wall of the Sistine, the idea that she was none the less in the room with him still, by the piano, at that very moment, ready to be kissed and enjoyed, the idea of her material existence, would sweep over him with so violent an intoxication that, with eyes starting from his head and jaws tensed as though to devour her, he would fling himself upon this Botticelli maiden and kiss and bite her cheeks. And then, once he had left her, not without returning to kiss her again because he had forgotten to take away with him the memory of some detail of her fragrance or of her features, as he drove home in his victoria he blessed Odette for allowing him these daily visits which could not, he felt, bring any great joy to her, but which, by keeping him immune from the fever of jealousy—by removing from him any possibility of a fresh outbreak of the heart-sickness which had afflicted him on the evening when he had failed to find her at the Verdurins’—would help him to arrive, without any recurrence of those crises of which the first had been so painful that it must also be the last, at the end of this strange period of his life, of these hours, enchanted almost, like those in which he drove through Paris by moonlight. And, noticing as he drove home that the moon had now changed its position relatively to his own and was almost touching the horizon, feeling that his love, too, was obedient to these immutable natural laws, he asked himself whether this period upon which he had entered would last much longer, whether presently his mind’s eye would cease to behold that beloved face save as occupying a distant and diminished position, and on the verge of ceasing to shed on him the radiance of its charm. For Swann was once more finding in things, since he had fallen in love, the charm that he had found when, in his adolescence, he had fancied himself an artist; with this difference, that the charm that lay in them now was conferred by Odette alone. He felt the inspirations of his youth, which had been dissipated by a frivolous life, stirring again in him, but they all bore now the reflection, the stamp of a particular being; and during the long hours which he now found a subtle pleasure in spending at home, alone with his convalescent soul, he became gradually himself again, but himself in thraldom to another.

He went to her only in the evenings, and knew nothing of how she spent her time during the day, any more than of her past; so little, indeed, that he had not even the tiny, initial clue which, by allowing us to imagine what we do not know, stimulates a desire for knowledge. And so he never asked himself what she might be doing, or what her life had been. Only he smiled sometimes at the thought of how, some years earlier, when he did not yet know her, people had spoken to him of a woman who, if he remembered rightly, must certainly have been Odette, as of a tart, a kept woman, one of those women to whom he still attributed (having lived but little in their company) the wilful, fundamentally perverse character with which they had so long been endowed by the imagination of certain novelists. He told himself that as often as not one has only to take the opposite view to the reputation created by the world in order to judge a person accurately, when with such a character he contrasted that of Odette, so kind, so simple, so enthusiastic in the pursuit of ideals, so incapable, almost, of not telling the truth that, when he had once begged her, so that they might dine together alone, to write to Mme Verdurin saying that she was unwell, the next day he had seen her, face to face with Mme Verdurin who asked whether she had recovered, blushing, stammering and in spite of herself revealing in every feature how painful, what

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