Temporary Kings - Anthony Powell [40]
‘That taught His Majesty to brag about his luck,’ said Glober. ‘He went that much too far.’
Dr Brightman allowed such a point of view.
‘Gide’s political undertones insinuate that Candaules represents a too tolerant ruling class, over anxious to share personal advantages, some of which are perhaps better left unshared, anyway that sharing, in the case of Candaules, led to disaster. You must remember the play was written nearly half a century ago. I need hardly add that both Gautier and Gide treat the theme in essentially French terms, as if the particular events described could have taken place only in France.’
Pamela remained unsatisfied.
‘That wasn’t what I meant. I didn’t say having an affair. I said watching – looking on, or being looked at.’
She spoke the words emphatically, in a clearer tone than that she was accustomed to use. Her attention had undoubtedly been captured. Dr Brightman, not in the least denying that to ‘watch’ was quite another matter, nodded again to show she fully grasped the disparity.
‘You mean one facet of the legend links up with kingship in another guise? I agree. Sacrifice is almost implied. Public manifestation of himself as source of fertility might be required too, to forestall a successor from snatching that attribute of regality. You have made a good point, Lady Widmerpool. To speak less seriously, one cannot help recalling a local example here in Venice – or rather the island seclusion of Murano – of the practice to which you refer. I mean Casanova’s divertissement with the two nuns under the eye of Cardinal de Bernis.’
Pamela, perhaps from ignorance of the Memoirs, appeared out-manoeuvred for the moment, at least attempted no comeback. The subject could already have begun to pall on her, though for once she was looking thoughtful rather than impatient. Moreland, too, was fond of talking about Casanova’s threesome with the nuns.
‘I’ve never myself been more than one of a pair,’ Moreland said. ‘How inexperienced one is, even though the best things in life are free. For the more venturesome, the song is not How happy could I be with either, but How happy could I be with two girls.’
By now the rest of the Conference had begun to infiltrate the Longhi room, the vanguard of oncoming intellectuals substantiating Dr Brightman’s comparison with the sages, abbés, punchinellos, pictured on the white-and-gold walls. Gwinnett was among this advance party, which also included two other British representatives, Ada Leintwardine and Quentin Shuckerly. Both of these accommodated at an hotel on the Lido, I had done no more than exchange a few words with them. They were taking the Conference with great seriousness, from time to time addressing sessions, an obligation for which Gwinnett and myself had substituted contribution to the organ devoted to its ‘dialogues’. Ada, not least because she retained some of the girlish good-looks of her twenties, had been warmly received in her observations regarding the necessity of assimilating European culture to that of Asia and Africa, delivered in primitive but daring French. Shuckerly, too, won applause by the artlessness and modesty with which he emphasized the many previous occasions on which he had made his now quite famous speech about culture being the scene-shifter to ring up the Iron Curtain.
Shuckerly was a great crony of Ada’s. Tall, urbane, smiling, businesslike, with a complexion so richly tanned by the sun that his enemies (friends, too) hinted at artifice, he had by now begun almost to rival Mark Members himself as a notable figure at international congresses. In earlier days, both as intimate friend and committed poet, he had been closely associated with Malcolm Crowding. Bernard Shernmaker, always irked by even comparative success in others, had designated