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Temporary Kings - Anthony Powell [41]

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Shuckerly ‘the air-hostess of English Letters’ at some literary party. ‘Better than the ad-man of french ones,’ had been Shuckerly’s retort, a slanting gloss on Shernmaker’s recently published piece about Ferrand-Sénéschal. Ada and Shuckerly sat on the same committees, signed the same protests, seemed to share much the same temperament, except that Ada, so far as was known, required no analogous counterpoise to Shuckerly’s alleged taste (Shernmaker again the authority) for being intermittently beaten-up.

Shernmaker had been malicious about Ada, too, in days of her first appearance as a novelist, though latterly, having in general somewhat lost his critical nerve, allowing her from time to time temperate praise. Some explained this unfriendly tone by rejected advances, at the period when Ada was new to London, and certainly Shernmaker remained always insistent that, in spite of marriage, Ada’s emotional interests lay chiefly with her own sex. There may have been some truth in this assertion. If so, that had not prevented her from giving birth to twins soon after marriage to Quiggin, their identical, almost laughable, resemblance to their father scotching another of Shernmaker’s disobliging innuendos. Quiggin did not by now at all mind his wife being a better known figure than himself. The sales of her books may even have played some part in his own evolvement, after Clapham’s death, as chairman of the firm. In the delicate role – compared by Evadne Clapham to a troika – of publisher, husband, critic, Quiggin had judged his wife’s first book, I Stopped at a Chemist (a tolerable film as Sally Goes Shopping), too short commercially. In consequence of this advice, Ada had written two long novels about domestic life, which threatened literary doldrums. She had extracted herself with Bedsores and The Bitch Pack Meets on Wednesday, since these never looked back as a successful writer. Ada’s personality – what Members called her ‘petits soins’ – played a considerable part, too, in the Quiggins’ notorious literary dinner parties.

As they advanced into the Tiepolo room, Shuckerly made for Dr Brightman, Ada for Pamela. She seemed very surprised to find her old friend in the Bragadin palace. As Ada passed him, Glober shot out an appraising glance, reminiscent of those Peter Templer used to give ladies he did not know, Glober’s all-inclusive survey suggesting recognition of Ada’s valuable qualities, additional to her good looks. Always a shade on the plump side (even when she had worked for Sillery), she was no thinner, but carried herself well, retaining that air of bright, blonde, efficient, self-possessed secretary, who knows the whereabouts of everything required in a properly run office, much too sensible to allow more than just the right minimum of flirtatious behaviour to pervade business hours. No doubt Ada had learnt a lot from contact with Sillery. At the ninetieth birthday celebrations mentioned by Dr Brightman, the names of both the Quiggins had appeared as present, Quiggin himself reported as having delivered one of the many speeches.

Ada hurried up to Pamela, and embraced her warmly. It looked as if they had not met for some time. Pamela’s reception of this greeting was less obviously approving of reunion, though her accustomed coldness of manner was not to be constructed as pointer in one direction more than another. Ten years ago they had been on good terms. Since then they might well have quarrelled, moved apart, made friends again, never ceased to be friends. It was impossible to judge from outward signs. Pamela allowed herself to be kissed. She made no attempt to return the ardent flow of words from Ada that followed. No such display of sentiment was to be expected, even if Ada could claim, in the past, to have been Pamela’s sole female friend and confidante. No doubt mere acceptance of Ada’s continued devotion confirmed no rift had taken place.

‘Pam, what are you doing here? You’re the last person I’d expected to see. You can’t be a member of the Conference?’

Pamela made a face of disgust at the thought.

‘What

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