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That Awful Mess on the via Merulana - Carlo Emilio Gadda [125]

By Root 1438 0
again in a trot, now spent, his forelegs; he skidded a little on all fours: and stopped, turning his head only slightly at the tug of the reins, as if to say: "I'd like to see you pulling a buggy! you have to try to stop me now, just when we're going so well." Plunged forward the three heads of the travelers, the brimming jiggling teats, the desirable throat and the face and slightly hysterical pallor of Lavinia as if in an attack of vomiting: as happens to everything that is not properly packaged, crated and nailed into a system: and travels, however, on its own, as if forward at random. Pestalozzi got off the bicycle. From the Falcognana road, which crosses, with the Divinio Amore bridge, the half-trench of the railroad a few hundred yards further down, at that point the road for Casal Bruciato broke off: which descends, even today, with a broad curve, to cross the same train track on the same level. On the roof of the yellow signal-man's house there weighed, uncertain and broken in parts, a smoke, though they could not see if it had come from a chimney: it was dispelled, as if with effort, in March: to depict, in that rising search of its own nonbeing, the poverty that had generated it: or to dissolve in the rustic solitude that pang of daily need that those who feel it are wont to call hunger. The perennial, insisted name, the desperate diphthong of the horned owl had fallen silent in the night: had died with the dawn. From an unseen elm, now, perhaps from a Roman oak surviving the axe in the emptiness of the countryside, the intermittent appeal, the unreachable, imploring iambus of the cuckoo. In foretelling the new fronds to the earth it seemed to recall the eternal, lost seasons, to ache with spring.

Lavinia begged the corporal to leave her "outside," to wait. "Outside where?" There, or rather: "here. Otherwise they'll start thinking that I . . . that I turned my own cousin in."

After some negotiation the corporal consented, reluctantly: and he added a word or two suitable to the occasion: cards on the table. He engaged the buggy for the return trip: set the bicycle against the bank, which at that point, beyond the dip in the road, marked the rise of the grassy land again: he charged the driver to guard it. Having arrived with the trusty Farafilioro, at milestone 20, they were received by the furious barking of a lousy mutt whose eyes they could barely see, but whose spare, canine teeth they saw with fear, he was so fanged and hairy, half-spinone, half-Maremmano hound{64} and half sonofabitch (this was Cocullo's ideogram), but fortunately, on a chain. An old woman appeared, contrary to all credible hypotheses, in that panorama of deconsecrated railway; she tried to calm him, to silence him, then came to the bar: which interrupted the road, to signify, if not quite the imminence, at least the expectation of an extraordinary phenomenon: that is, the black passage of the train, the puffing of steam above and below, marvelous fluid, which confers virtue and locomotory quality to freight, even in ascent, as well as to train 181, half-freight, half-passenger: which, in fact, already gasping, announced the slippery play of its crankings up up up pup pup pup from le Frattocchie, overwhelming the distant imploration of the cuckoo: and at signal kilometer 20, it would be equally victorious over the grade: a miracle of art, an unterminated four per cent incline, but all curves and countercurves, of the late nineteenth century. At the house, known to some as Casal Bruciato, it was awaited every day, once a day, with the algebraic certitude and the trepidation of spirit that, at the speculum of Arcetri or the Mount Palomar Observatory, every seventy-five years, attend the recurrence of Halley's comet. The old woman, decrepit though she was, must have understood at once that this unwanted olive drab-and-black visit . . . looked for all the world as if it were aiming at her house! so she sewed up, without parting them again, the two bloodless rims of her lips, the two curly hairs embellishing here and there the jawing of her chin,

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