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The 50th Law - 50 Cent [45]

By Root 631 0
nature, trying to please people less will make them more likely in the long run to respect and treat you better.

Keys to Fearlessness

[F]OR HOW WE LIVE IS SO FAR REMOVED FROM HOW WE OUGHT TO LIVE, THAT HE WHO ABANDONS WHAT IS DONE FOR WHAT OUGHT TO BE DONE, WILL RATHER LEARN TO BRING ABOUT HIS OWN RUIN THAN HIS PRESERVATION. A MAN WHO WISHES TO MAKE A PROFESSION OF GOODNESS IN EVERYTHING MUST NECESSARILY COME TO GRIEF AMONG SO MANY WHO ARE NOT GOOD. THEREFORE IT IS NECESSARY FOR A PRINCE, WHO WISHES TO MAINTAIN HIMSELF, TO LEARN HOW NOT TO BE GOOD, AND TO USE THIS KNOWLEDGE AND NOT USE IT, ACCORDING TO THE NECESSITY OF THE CASE.

—Niccolò Machiavelli

When it comes to morality, almost all of us experience a split in our consciousness. On one hand, we understand the need to follow certain basic codes of behavior that have been in place for centuries. We try our best to live by them. On the other hand, we also sense that the world has become infinitely more competitive than anything our parents or grandparents have known. To get ahead in this world we must be willing to occasionally bend that moral code, to play with appearances, to hedge the truth and make ourselves look better, to manipulate a person or two to secure our position. The culture at large reflects this division. It emphasizes values of cooperation and decency, while titillating us constantly in the media with endless stories of those who have risen to the top by being bad and ruthless. We are both drawn to and repulsed by these stories.

This split creates an ambivalence and awkwardness in our actions. We are not very good at being either good or bad. When we do the manipulative acts that are necessary, it is with half a heart and some guilt. We are not sure how to operate in this way—when to play the more aggressive role, or how far to go.

The great sixteenth-century Florentine writer Niccolò Machiavelli noticed a similar phenomenon in his day, on a different level. Italy had splintered into several city-states that were constantly intriguing for power. It was a dangerous, complicated environment for a leader. In facing a rival state, a prince had to be extremely careful. He knew that these rivals would do anything to advance their interests, including cutting deals with others to isolate or destroy him. He had to be ready to attempt any kind of maneuver to protect his state. At the same time he was imbued with Christian values. He had to juggle two codes of behavior—one for private life and another for the game of power. This made for awkwardness. Nobody really defined the moral parameters for how to defend and advance his state. If he became too aggressive, he would look bad on the world stage and suffer for it. If he was too good and gentle, his state could be overrun by a rival, bringing misery for his citizenry.

For Machiavelli, the problem wasn’t a leader adjusting his morality to the circumstance—everyone does that. It was that he did not do it well. Too often he would be aggressive when he needed to be cunning, or vice versa. He would not recognize in time the once friendly state that was now plotting against him, and his response would be too desperate. When a venture succeeds, people tend to overlook some of the nasty tactics you were forced to use; when a venture fails, those same tactics become scrutinized and condemned.

A prince or leader must first and foremost be effective in his actions and to do so he must master the art of knowing when and how to be bad. This requires some fearlessness and flexibility. When the situation calls for it, he must be the lion—aggressive and direct in protecting his state, or grabbing something to secure its interests. At other times, he has to be the fox—getting his way through crafty maneuvers that disguise his aggression. And often he must play the lamb—the meek, deferential, and good creature exalted in culture. He is bad in the right way, calibrated to the situation, and careful to make his actions look justified to the public, reserving his nastier tactics for behind the scenes. If he masters the art

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