The Alexandria Quartet - Lawrence Durrell [263]
These tottering backward-look ing feudalisms could only be supported by arms against these disintegrating elements inherent in the very nature of things today; but to use arms, ‘to preach with the sword’ in the words of Lawrence, one must have a belief
in one’s own ethos, one’s own mystique of life. What does the Foreign Office believe? I just don’t know. In Egypt, for example, very little has been done beyond keeping the peace; the High Commission is vanishing after a rule of — since 1888? — and will not leave behind even the vestiges of a trained civil service to stabilize this rabble-ridden grotesque which we now apparently regard as a sovereign state. How long will fair words and courtly sentiments prevail against the massive discontents these people feel? One can trust a treaty king only as long as he can trust his people. How long remains before a flashpoint is reached? I don’t know — and to be frank I don’t much care. But I should say that some unforeseen outside pressure like a war would tumble over these scarecrow principalities at a breath. Anyway, these are my general reasons for wanting a change. I believe we should re-orient policy and build Jewry into the power behind the scenes here. And quick.
Now for the particular. Very early in my political life I ran up against a department of the War Office specializing in general intelligence, run by a Brigadier who resented the idea that his office should bow the knee to us. A question of rank, or allowances, or some such rot; under the Commission he had been allowed more or less a free hand. Incidentally, this is the remains of the old Arab Bureau left over from 1918 which has been living on quietly like a toad buried under a stone! Obviously in the general re-alignment, his show must (it seemed to me) integrate with somebody. And now there was only an embryonic Embassy in Egypt. As he had worked formerly to the High Commission’s Political Branch, I thought he should work to me — and indeed, after a series of sharp battles, bent if not broke him — Maskelyne is the creature’s name. He is so typical as to be rather interesting and I have made extensive notes on him for a book in my usual fashion. (One writes to recover a lost innocence!)
Well, since the Army discovered that imagination is a major factor in producing cowardice they have trained the Maskelyne breed in the virtues of counter-imagination: a sort of amnesia which is almost Turkish. The contempt for death has been turned into a contempt for life and this type of man accepts life only on his own terms. A frozen brain alone enables him to keep up a routine of exceptional boredom. He is very thin, very tall, and his
skin has been tanned by Indian service to the colour of smoked snakeskin, or a scab painted with iodine. His perfect teeth rest as lightly as a feather upon his pipestem. There is a peculiar gesture he has — I wish I could describe it, it interests me so much — of removing his pipe slowly before speaking, leve lling his small dark eyes at one, and almost whispering: ‘Oh, do you really think so?’
The vowels drawing themselves out infinitely into the lassitude, the boredom of the silence which surrounds him. He is gnawed by the circumscribed perfection of a breeding which makes him uncomfortable in civilian clothes, and indeed he walks about in his well-cut cavalry coat with a Noli me tangere air. (Breed for type and you always get anomalies of behaviour.) He is followed everywhere by his magnificent red pointer Nell (named after his wife?) who sleeps on his feet while he works at his files, and on his bed at night. He occupies a room in a hotel in which there is nothing personal — no books, no photographs, no papers. Only a set of silver-backed brushes, a bottle of whisky and a newspaper. (I imagine him sometimes brushing the silent fury out of his own scalp, furiously brushing his dark shiny hair back from the temples, faster and faster. Ah, that’s better — that’s better!) He reaches his office at eight having bought his day-late copy of the Daily Telegraph. I have never seen