The Alexandria Quartet - Lawrence Durrell [432]
‘Yes’ she whispered thoughtfully and, groping in her velvet handbag for a box of matches, hesitantly struck one. It was a tall room, so tall that it was roofed by darkness despite the yellow flapping of the match-flame; one huge shattered window faintly reflected starlight. The walls were of verdigris, the plaster peeling everywhere, and their only decoration was the imprint of little blue hands which ran round the four walls in a haphazard pattern. As if a lot of pygmies had gone mad with blue paint and then galloped all over the walls standing on their hands! To the left, a little off centre, reposed a large gloomy divan, floating upon the gloom like a Viking catafalque; it was a twice-chewed relic of some Ottoman calif, riddled with holes. The match went out.
‘There it is’ she said and putting the box into my hand she left my side. When I lit up again she was sitting beside the divan with her cheek resting upon it, softly stroking it with the palm of her hand. She was completely composed. She stroked it with a calm
voluptuous gesture and then crossed her paws on it, reminding me of a lioness sitting astride its lunch. The moment had a kind of weird tension, but this was not reflected on her face. (Human beings are like pipe-organs, I thought. You pull out a stop marked
‘Lover’ or ‘Mother’ and the requisite emotions are unleashed —
tears or sighs or endearments. Sometimes I try and think of us all as habit-patterns rather than human beings. I mean, wasn’t the idea of the individual soul grafted on us by the Greeks in the wild hope that, by its sheer beauty, it would ‘take’ — as we say of vaccination? That we might grow up to the size of the concept and grow the heavenly flame in each of our hearts? Has it taken or hasn’t it? Who can say? Some of us still have one, but how vestigial it seems. Perhaps….)
‘They have heard us.’
Somewhere in the darkness there was a thin snarl of voice, and the silence became suddenly padded out with the scamper of feet upon rotted woodwork. In the expiring flicker of the match I saw, as if somewhere very far away, a bar of light — like a distant furnace door opening in heaven. And voices now, the voices of ants! The children came through a sort of hatch or trap-door made of darkness, in their cotton nightgowns, absurdly faded. With rings on their fingers and bells on their toes. She shall have music wherever she goes! One of them carried a waxlight floating in a saucer. They twanged nasally about us, interrogating our needs with blasting frankness — but they were surprised to see Justine sitting beside the Viking catafalque, her head (now smiling) half turned towards them.
‘I think we should leave’ I said in a low voice, for they smelt dreadfully these tiny apparitions, and they showed a disagreeable tendency to twine their skinny arms about my waist as they wheedled and intoned. But Justine turned to one and said: