The Alexandria Quartet - Lawrence Durrell [433]
‘Bring the light here, where we can all see.’ And when the light was brought she suddenly turned herself, crossed her legs under her, and in the high ringing tone of the street storyteller she intoned: ‘Now gather about me, all ye blessed of Allah, and hear the wonders of the story I shall tell you.’ The effect was electric; they settled about her like a pattern of dead leaves in a wind, crowding up close together. Some even climbed on to the old
divan, chuckling and nudging with delight. And in the same rich triumphant voice, saturated with unshed tears, Justine began again in the voice of the professional story-teller: ‘Ah, listen to me, all ye true believers, and I will unfold to you the story of Yuna and Aziz, of their great many-petalled love, and of the mishaps which befell them from the doing of Abu Ali Saraq el-Maza. In those days of the great Califate, when many heads fell and armies marched….’
It was a wild sort of poetry for the place and the time — the little circle of wizened faces, the divan, the flopping light; and the strangely captivating lilt of the Arabic with its heavy damas-cened imagery, the thick brocade of alliterative repetitions, the nasal twanging accents, gave it a laic splendour which brought tears to my eyes — gluttonous tears! It was such a rich diet for the soul! It made me aware how thin the fare is which we moderns supply to our hungry readers. The epic contours, that is what her story had! I was envious. How rich these beggar children were. And I was envious too of her audience. Talk of suspended judge-ment! They sank into the imagery of her story like plummets. One saw, creeping out like mice, their true souls — creeping out upon those painted masks in little expressions of wonder, suspense and joy. In that yellow gloaming they were expressions of a terrible truth. You saw how they would be in middle age — the witch, the good wife, the gossip, the shrew. The poetry had stripped them to the bone and left only their natural selves to flower thus in expressions faithfully portraying their tiny stunted spirits!
How could I help but admire her for giving me one of the most significant and memorable moments of a writer’s life? I put my arm about her shoulders and sat, as rapt as any of them, following the long sinuous curves of the immortal story as it unfolded before our eyes.
They could hardly bear to part with us when at last the story came to an end. They clung to her, pleading for more. Some picked the hem of her skirt and kissed it in an agony of pleading.
‘There is no time’ she said, smiling calmly. ‘But I will come again, my little ones.’ They hardly heeded the money she distributed but thronged after us along the dark corridors to the blackness of the square. At the corner I looked back but could only see the flicker of shadows. They said farewell in voices of heartbreaking
sweetness. We talked in deep contented silence across the shattered, time-corrupted town until we reached the cool seafront; and stood a long time leaning upon the cold stone piers above the sea, smoking and saying nothing! At last she turned to me a face of tremendous weariness and whispered: ‘Take me home, now. I’m dead tired.’ And so we hailed a pottering gharry and swung along the Corniche as sedately as bankers after a congress. ‘I suppose we are all hunting for the secrets of growth!’ was all she said as we parted.
It was a strange remark to make at parting. I watched her walk wearily up the steps to the great house groping for her key. I still felt drunk with the story of Yuna and Aziz!
Brother Ass, it is a pity that you will never have a chance to read all this tedious rigmarole; it would amuse me to study your puzzled expression as you did so. Why should the artist always be trying to saturate the world with his own anguish, you asked me once. Why indeed? I will give you another phrase: emotional gongorism! I have always been good at polite phrase-making. Loneliness and desire,
Lord of the Flies,
Are thy unholy empire and
The self ’s inmost surprise!
Come to these arms, my dear old Dutch