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The Alexandria Quartet - Lawrence Durrell [83]

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as well.’

The same man, it was true, walked about on the surface of their common life — the same considerate, gentle punctual man: but in a horrifying sense everything had changed, he was no longer there. ‘We’ve abandoned each other’ she said in a small expiring

whisper and drawing herself closer pressed to the very hilt of sense and sound the kisses which were like summaries of all we had shared, held precariously for a moment in our hands, before they should overflow into the surrounding darkness and forsake us. And yet it was as if in every embrace she were saying to herself:

‘Perhaps through this very thing, which hurts so much and which I do not want ever to end — maybe through this I shall find my way back to Nessim.’ I was filled suddenly by an intolerable depression.

Later, walking about in the strident native quarter with its jab-bing lights and flesh-wearing smells, I wondered as I had always wondered, where time was leading us. And as if to test the validity of the very emotions upon which so much love and anxiety could base themselves I turned into a lighted booth decorated by a strip of cinema poster — the huge half-face of a screen-lover, mean-ingless as the belly of a whale turned upwards in death — and sat down upon the customer’s stool, as one might in a barber’s shop, to wait my turn. A dirty curtain was drawn across the inner door and from behind it came faint sounds, as of the congress of crea-tures unknown to science, not specially revo lting — indeed inter-esting as the natural sciences are for those who have abandoned any claims of cultivating a sensibility. I was of course drunk by this time and exhausted — drunk as much on Justine as upon the thin-paper-bodied Pol Roget. There was a tarbush lying upon the chair beside me and absently I put it on my head. It was faintly warm and sticky inside and the thick leather lining clung to my forehead. ‘I want to know what it really means’ I told myself in a mirror whose cracks had been pasted over with the trimmings of postage stamps. I meant of course the whole portentous scrimmage of sex itself, the act of penetration which could lead a man to despair for the sake of a creature with two breasts and le croissant as the picturesque Levant slang has it. The sound within had increased to a sly groaning and squeaking — a combustible human voice adding itself to the jost-ling of an ancient wooden-slatted bed. This was presumably the identical undifferentiated act which Justine and I shared with the common world to which we belonged. How did it differ? How far had our feelings carried us from the truth of the simple, devoid beast-like act itself? To what extent was the treacherous mind —

with its interminable catalogue raisonné of the heart — responsible?

I wished to answer an unanswerable question; but I was so des-perate for certainty that it seemed to me that if I surprised the act in its natural state, motivated by scientific money and not love, as yet undamaged by the idea, I might surprise the truth of my own feelings and desires. Impatient to deliver myself from the question I lifted the curtain and stepped softly into the cubicle which was fitfully lighted by a buzzing staggering paraffin lamp turned down low.

The bed was inhabited by an indistinct mass of flesh moving in many places at once, vaguely stirring like an ant-heap. It took me some moments to define the pale and hairy limbs of an elderly man from those of his partner — the greenish-hued whiteness of convex woman with a boa constrictor’s head — a head crowned with spokes of toiling black hair which trailed over the edges of the filthy mattress. My sudden appearance must have suggested a police raid for it was followed by a gasp and complete silence. It was as if the ant-hill had suddenly become deserted. The man gave a groan and a startled half-glance in my direction and then as if to escape detection buried his head between the immense breasts of the woman. It was impossible to explain to them that I was investi-gating nothing more particular than the act upon which they were engaged.

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