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The Alexandria Quartet - Lawrence Durrell [84]

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I advanced to the bed firmly, apologetically, and with what must have seemed a vaguely scientific air of detachment I took the rusty bed-rail in my hands and stared down, not upon them for I was hardly conscious of their existence, but upon myself and Melissa, myself and Justine. The woman turned a pair of large gauche charcoal eyes upon me and said something in Arabic. They lay there like the victims of some terrible accident, clum-sily engaged, as if in some incoherent experimental fashion they were the first partners in the history of the human race to think out this peculiar means of communication. Their posture, so ludicrous and ill-planned, seemed the result of some early trial which might, after centuries of experiment, evolve into a dis-position of bodies as breathlessly congruent as a ballet-position. But nevertheless I recognized that this had been fixed immutably, for all time — this eternally tragic and ludicrous position of engage-ment. From this sprang all those aspects of love which the wit of poets and madmen had used to elaborate their philosophy of

polite distinctions. From this point the sick, the insane started growing; and from here too the disgusted and dispirited faces of the long-married, tied to each other back to back, so to speak, like dogs unable to disengage after coupling.

The peal of soft cracked laughter I uttered surprised me, but it reassured my specimens. The man raised his face a few inches and listened attentively as if to assure himself that no policeman could have uttered such a laugh. The woman re-explained me to herself and smiled. ‘Wait one moment’ she cried, waving a white blotched hand in the direction of the curtain, ‘I will not be long.’ And the man, as if reprimanded by her tone, made a few convulsive move-ments, like a paralytic attempting to walk — impelled not by the demands of pleasure but by the purest courtesy. His expression betrayed an access of politeness — as of someone rising in a crowded tram to surrender his place to a mutilé de la guerre. The woman grunted and her fingers curled up at the edges. Leaving them there, fitted so clumsily together, I stepped laugh-ing out into the street once more to make a circuit of the quarter which still hummed with the derisive, concrete life of men and women. The rain had stopped and the damp ground exhaled the tormentingly lovely scent of clay, bodies and stale jasmine. I began to walk slowly, deeply bemused, and to describe to myself in words this whole quarter of Alexandria for I knew that soon it would be forgotten and revisited only by those whose memories had been appropriated by the fevered city, clinging to the minds of old men like traces of perfume upon a sleeve: Alexandria, the capital of Memory.

The narrow street was of baked and scented terra cotta, soft now from rain but not wet. Its whole length was lined with the coloured booths of prostitutes whose thrilling marble bodies were posed modestly each before her doll’s house, as before a shrine. They sat on three-legged stools like oracles wearing coloured slippers, out in the open street. The originality of the lighting gave the whole scene the colours of deathless romance, for instead of being lit from above by electric light the whole street was lit by a series of stabbing carbide-lamps standing upon the ground: throwing thirsty, ravishing violet shadows upwards into the nooks and gables of the dolls’ houses, into the nostrils and eyes of its inhabitants, into the unresisting softness of that furry darkness. I walked

slowly among these extraordinary human blooms, reflecting that a city like a human being collects its predispositions, appetites and fears. It grows to maturity, utters its prophets, and declines into hebetude, old age or the loneliness which is worse than either. Unaware that their mother city was dying, the living still sat there in the open street, like caryatids supporting the darkness, the pains of futurity upon their very eyelids; sleeplessly watching, the immortality-hunters, throughout the whole fatidic length of time. Here was a

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