The American Way of Death Revisited - Jessica Mitford [9]
Then there is that all-important matter of gaining patronage via the clergy. For this, Mr. Hast hit on the simple and highly effective scheme of having a photo taken of each local church. He showed samples of these, which cost 80 cents apiece. “We give hundreds of these to the minister, who can sell them to the parishioners for $10 apiece, thus raising $1,000 for the church fund,” he explained.
There was more to come. The Hast mortuary hired students for an hour or so after school to do odd jobs around the premises. Mr. Hast estimates that each student brings in an average of two cases a year.
Lastly—“System. Remember the word System.” Too many people, he explained, find it difficult to write letters; they keep putting it off, the moment passes, the letter never gets written. To overcome this obstacle, one can get five hundred cards and envelopes inscribed with the name of the sender for $100. He flourished some sample cards. “Send one to the lady at Kaiser who referred a death, and simply write on it, ‘The family appreciated your kindness to them.’ ”
The brothers Kevin and Mark Waterston titled their talk “Niche Marketing,” a double entendre for those attuned to mortuary-speak; a niche is a repository for cremation ashes but also a specific area of commerce, geddit? The Waterston Funeral Home in Minneapolis was started by their father, a “traditional” funeral director, Ron Hast told us in his introduction; but Kevin and Mark are very nontraditional. “They operate out of one building that will serve more than 2,000 a year, over five percent of all the deaths in Minnesota. They are true marketers,” he said. “They have a pre-need backlog of more than 20,000. And in the last several years they’ve served more than 1,000 new families each year.”
Like Tom Fisher, the brothers see “identity as the major problem in funeral service.” They learned much from the books Marketing Warfare and Bottom-up Marketing by Jack Trout and Al Ries, which led them to establish a cremation marketing “niche” in Minnesota. “We don’t treat cremation as a stepchild, we treat all families the same,” said Mark Waterston. “We put the service into cremation. Other funeral homes don’t do this. It’s strictly a volume-type operation.” They are also devoted believers in the power of advertising. “We spend $200,000 on advertising. If you want to get into my niche, can you top $75,000 in mailing brochures?”
Aside from the set speeches, there were a couple of early morning treats before the regular meeting got under way.
First of these was a “60 Minutes” documentary dated December 20, 1980, on the subject of the Neptune Society. The video shows Colonel Denning, known as Colonel Cinders (now on his ninth wife, we are told), proclaiming on camera that in eight years he has saved the public $40 million by providing cremations for $400. Much scornful comment from the assemblage, as the rock-bottom minimum offered by Neptune has risen in fifteen years to over $1,000.
Of greater interest was the live demonstration by Dina Ousley, luscious blond president of Dinair Airbrush Systems, of her maquillage as applied to corpses. Dinair offers a range of products to actors on stage or screen, plus a “Fantasy Kit” and “Theme Park & Large Event Systems” with spray makeup in turquoise, black, and white plus glitter. Their price list offers a large variety of stencils, including stars, whales, skeletons, skulls and crossbones.…
An appreciative audience clustered round as Ms. Ousley deftly sprayed the face of Max Carroll, owner of a Stockton funeral parlor standing in (or rather lying in) for the cadaver. Later, she told me something of her recent successes in progressing from show biz to mortuary work. “I’ve had a wonderful response on the Internet,” she said. “I’ve sold to mortuaries from Ireland to Argentina, and was at the National Funeral Directors Association annual meeting in Florida this year. Rose Hills in Whittier, California, bought three systems. They’re big business—buried a hundred in one day!