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The Complete Idiot's Guide to 2012 - Dr. Synthia Andrews Nd [113]

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by modern people for the lines of energy across the planet. For anyone who wants to know more about this, I highly recommend a book written by one of the first modern-day pioneers, Principles of Dowsing by Dennis Wheatley (Thorsons, 2000).

Interestingly, the ley lines also link the formations to ancient sacred sites such as Stonehenge and Avebury. The following photo shows a simple circle located in front of the ancient sacred site of Silbury Hill. Are the circles activating these ancient sites as Mayan Elder Hunbatz Men says will happen?

This single circle was found in a barley crop on the morning of July 15, 1988. In the background is Silbury Hill, the largest ancient manmade mound in the world and one of Britain’s sacred sites.


Human Involvement

Since crop circles became a public fascination in the late 1980s, people began trying their hand at making them. Like the genuine phenomenon, human-made circles, often called hoaxes, are large, intricate, and beautiful. They also exhibit anomalies; people who make crop circles have strange things happen to them in the fields. They report feeling compelled to create circles and are often surprised at the patterns they make. Human-made circles often produce magnetic anomalies as do the genuine circles. When I first started to explore crop circles, I thought that if people were making them it would put an end to the mystery. Instead it creates more of a mystery. Is there something special about the geometries themselves regardless of how they arrive? Why do people feel compelled to make them? Is this really just us sending messages to ourselves? Part of the meta-consciousness?


The Power of Intention

Let me share an experience I had one night, September 9, 1988. I lived near Stonehenge at the time of this experience and was deep into my crop-circle research. One night I focused my intention on the design of a Celtic cross. At this point the Celtic cross pattern had not been seen in a crop circle before. I saw the formation in my mind’s eye in a field as close to my home as possible. Some might call the process I used prayer, and I won’t disagree. What’s important is not the name, but the fact that we can use the power of our hearts and minds together to manifest a physical outcome.

You won’t be surprised when I tell you that in the morning I received a phone call from a farmer who lived nearby, in fact the closest farm to my house. “There’s a new one but you’ll have to be quick,” he stated. “We’re harvesting and it will be gone in an hour.” I was awed to see it was a Celtic cross, exactly as I had visualized it. This event has taught me the power of our developed intent, a concept the Maya teach as well.


Interaction with Something Larger

For me, the most intriguing aspect of the crop circles is the sense of interaction people feel. Those who have researched the circles and those who have made them report the same thing: we feel we are interacting with something larger than ourselves. People making the circles report feeling they have been compelled not only to make them but to make certain designs and even to place them in certain locations. That sounds far fetched, doesn’t it? But nonetheless, it seems we are all part of a larger design that is now unfolding. At face value, it seems like intelligence is interacting with the minds of those close to the “drawing board.” The interaction not only manifests sincerely held intentions but also acts in reverse by placing thoughts into people’s minds, thoughts that appear to be their own. A sudden intuition, taken on board and accepted as your own, may have been such an interaction.

Are we playing someone else’s game; are we players in someone else’s prophecy? As life moves unabated toward 2012, the story is far from over. I wait to see if prophecy brings an abrupt end or if time will morph into a new, much more exciting and wonderful age, the Mayans’ fifth world, which I think is likely.


The Impact of Crop Circles

Like me, people who see crop circles are moved in some unidentifiable way. The images evoke deep emotions,

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