• Choose a category
• All
• Classic-Fiction

“The three told me you win much money.”

“And am poorer than the birds.”

“How?”

“I am a poor idealist. I am the victim of illusions.” He laughed, then grinned and tapped his stomach. “I am a professional gambler but I like to gamble. To really gamble. Little gambling is all crooked. For real gambling you need luck. I have no luck.”

“Never?”

“Never. I am completely without luck. Look, this cabrón who shoots me just now. Can he shoot? No. The first shot he fires into nothing. The second is intercepted by a poor Russian. That would seem to be luck. What happens? He shoots me twice in the belly. He is a lucky man. I have no luck. He could not hit a horse if he were holding the stirrup. All luck.”

“I thought he shot you first and the Russian after.”

“No, the Russian first, me after. The paper was mistaken.”

“Why didn’t you shoot him?”

“I never carry a gun. With my luck, if I carried a gun I would be hanged ten times a year. I am a cheap card player, only that.” He stopped, then continued. “When I make a sum of money I gamble and when I gamble I lose. I have passed at dice for three thousand dollars and crapped out for the six. With good dice. More than once.”

“Why continue?”

“If I live long enough the luck will change. I have bad luck now for fifteen years. If I ever get any good luck I will be rich.” He grinned. “I am a good gambler, really I would enjoy being rich.”

“Do you have bad luck with all games?”

“With everything and with women.” He smiled again, showing his bad teeth.

“Truly?”

“Truly.”

“And what is there to do?”

“Continue, slowly, and wait for luck to change.”

“But with women?”

“No gambler has luck with women. He is too concentrated. He works nights. When he should be with the woman. No man who works nights can hold a woman if the woman is worth anything.”

“You are a philosopher.”

“No, hombre. A gambler of the small towns. One small town, then another, another, then a big town, then start over again.”

“Then shot in the belly.”

“The first time,” he said. “That has only happened once.”

“I tire you talking?” Mr. Frazer suggested.

“No,” he said. “I must tire you.”

“And the leg?”

“I have no great use for the leg. I am all right with the leg or not. I will be able to circulate.”

“I wish you luck, truly, and with all my heart,” Mr. Frazer said.

“Equally,” he said. “And that the pain stops.”

“It will not last, certainly. It is passing. It is of no importance.”

“That it passes quickly.”

“Equally.”

That night the Mexicans played the accordion and other instruments in the ward and it was cheerful and the noise of the inhalations and exhalations of the accordion, and of the bells, the traps, and the drum came down the corridor. In that ward there was a rodeo rider who had come out of the chutes on Midnight on a hot dusty afternoon with the big crowd watching, and now, with a broken back, was going to learn to work in leather and to cane chairs when he got well enough to leave the hospital. There was a carpenter who had fallen with a scaffolding and broken both ankles and both wrists. He had lit like a cat but without a cat’s resiliency. They could fix him up so that he could work again but it would take a long time. There was a boy from a farm, about sixteen years old, with a broken leg that had been badly set and was to be rebroken. There was Cayetano Ruiz, a small-town gambler with a paralyzed leg. Down the corridor Mr. Frazer could hear them all laughing and merry with the music made by the Mexicans who had been sent by the police. The Mexicans were having a good time. They came in, very excited, to see Mr. Frazer and wanted to know if there was anything he wanted them to play, and they came twice more to play at night of their own accord.

The last time they played Mr. Frazer lay in his room with the door open and listened to the noisy, bad music and could not keep from thinking. When they wanted to know what he wished played, he asked for the Cucaracha, which has the sinister lightness and deftness of so many of the tunes men have gone to die to. They played noisily and with emotion. The