The Complete Works of Edgar Allan Poe - Edgar Allan Poe [814]
9. The Gymnast must bear in mind, as much as possible, the degree attained by each of his pupils in every exercise, that he may not set them to any thing above their ability. This is an important rule for avoiding danger.
PRELIMINARY EXERCISES.
What may be termed the initiatory exercise is for the purpose of strengthening and rendering flexible all the different joints of the body. This is what persons unaccustomed to Gymnasties stand most in need of. The pupils are, usually, ranged in a line at such distances that each can barely touch the other’s finger with his extended arm. They then practise after the example of their leader every different flexion of which the joints are capable viz : bending down on the toes till the knees nearly touch the ground, and rising therefrom slowly, without any assistance from the hands, holding the arm at full length, and rapidly whirling it in a circle, darting the fists forward, and suddenly withdrawing them to the shoulder ; with various other motions which are deemed desirable.
After training the body in this manner, the student will be enabled to sustain the fatigue of exercising on
[[With the exception of a few lines about Mr. Barrett, the sections on the Parallel Bars, the Leaping Bars and the Wooden Horse, including the engravings, are taken from the London Mirror, August 26, 1826, 7:104:]]
THE PARALLEL BARS.
The pupil being placed between the two horizontal bars, which are parallel to each other, by a strong pressure of his hands on both the bars he must raise his body, the arms being kept perfectly straight, and the legs close. In this position the body is vaulted over the bar to the right or left. The pupil is then directed to walk on his hands along the two bars, backwards and forwards, to pass with both his hands from one bar to another, his body being suspended the whole time. The exercise on the parallel bars improve the flexibility of the joints, strengthen the muscles, and must be used preparatory to the
LEAPING BARS.
This ranks among the most excellent of the gymnastic exercises, for it strengthens and gives elasticity to the feet, legs, knees, and thighs, and braces every muscle while its invigorates the courage. Two posts are perpendicularly fixed in the ground, about seven feet asunder, and each of these posts is perforated with holes at small but regular intervals, for inserting an iron pin, on which is loosely hung a horizontal cord, the pin being placed at equal heights on the two opposite posts. A small bag, containing either a bit of lead or stone, at each end, tightens the cord. This may be practised either standing or running, and should the leaper miss the proposed height, the cord easily yields, and prevents any disagreeable accident. The leaper must be careful to raise his feet and knees in a straight direction, neither separating the legs, nor inclining them to either side ; and in taking a running leap, the run must be a short, tripping step on the toes, gradually quickened, as this does not exhaust the strength previous to the leap. The body must always be inclined forwards in rising, and the leaper must observe not to pitch wholly on his heels, but chiefly on the toes and balls of the feet.
To acquire strength and pliability of body, courage and presence of mind, preservation of equilibrium and accuracy of eye, recourse must be had to
THE WOODEN HORSE.
This is an oblong block of wood, rudely shaped like a horse’s body, and covered on the top with a cushion of stuffed leather. The exercise consists in placing one or both hands on the block, and, in the leap, throwing one leg over it, and so bestriding it. Both legs and the body are, sometimes, thrown quite over it, which may be done either standing or with a run. Mr. Barrett has made some improvement in the shape of his wooden-horses, which differ considerably in appearance from the one in our engraving. This is one of the best of the Gymnastic apparatus, and the exercise connected with it has a powerful