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II. i. 262 (371,1) [Boyet. You are too hard for me] [Theobald did not end Act II here] Mr. Theobald has reason enough to propose this alteration, but he should not have made it in his book without better authority or more need. I have therefore preserved his observation, but continued the former division.

III.i (372,2) [Enter Armado, and Moth.] In the folios the direction is, enter Braggart and Moth, and at the beginning of every speech of Armado stands Brag, both in this and the foregoing scene between him and his boy. The other personages of this play are likewise noted by their characters as often as by their names. All this confusion has been well regulated by the later editors.

III.i.3 (372,3) [Concolinel] Here is apparently a song lost.

III. i. 22 (373,5) [These are complements] Dr. Warburton has here changed complements to 'complishments, for accomplishments, but unnecessarily.

III. i. 32 (374,8) [but a colt] Colt is a hot, mad-brained, unbroken young fellow; or sometimes an old fellow with youthful desires.

III. i. 62 (375,9) [You are too swift, Sir, to say so] How is he too swift for saying that lead is slow? I fancy we should read, as well to supply the rhyme as the sense,

You are too swift, sir, to say so, so soon Is that lead slow, sir, which is fir'd from a gun?

III. i. 68 (375,1) [By thy favour, sweet welkin] Welkin is the sky, to which Armado, with the false dignity of a Spaniard, makes an apology for sighing in its face.

III. i. 73 (376,3) [no salve in the male, Sir] The old folio reads, no salve in thee male, sir, which, in another folio, is, no salve, in the male, sir. What it can mean is not easily discovered: if mail for a packet or bag was a word then in use, no salve in the mail may mean, no salve in the mountebank's budget. Or shall we read, no enigma, no riddle, no l'envoy—in the vale, sir—O, sir. plantain. The matter is not great, but one would wish for some meaning or other.

III. i.112 (377,5) [how was there a Costard broken in a shin?] Costard is the name of a species of apple.

III. i.136 (378,7) [my in-cony Jew] [W. jewel] I know not whether it be fit, however specious, to change Jew to jewel. Jew, in our author's time, was, for whatever reason, apparently a word of endearment. So in Midsummer-Night's Dream,

Most tender Juvenile, and eke most lovely Jew. (see 1765, II,144,9)

III.i.182 (381,2) [This signior Junto's giant-dwarf. Don Cupid] Mr. Upton has made a very ingenious conjecture on this passage. He reads,

This signior Julio's giant-dwarf—

Shakespeare, says he, intended to compliment Julio Romano, who drew Cupid in the character of a giant-dwarf. Dr. Warburton thinks, that by Junio is meant youth in general.

III.i.188 (382,3) [Of trotting paritors] An apparitor, or paritor. is an officer of the bishop's court who carries out citations; as citations are most frequently issued for fornication, the paritor is put under Cupid's government.

III.i.189 (382,4)

[And I to be a corporal of his field,

And wear his colours! like a tumbler's hoop!]

The conceit seems to be very forced and remote, however it be understood. The notion is not that the hoop wears colours, but that the colours are worn as a tumbler carries his hoop, hanging on one shoulder and falling under the opposite arm.

III.i.207 (383,5) [Some men must love my lady, and some Joan] To this line Mr. Theobald extends his second act, not injudiciously, but, as was before observed, without sufficient authority.

IV.i.19 (384,6) [Here,—good my glass] To understand how the princess has her glass so ready at hand in a casual conversation, it must be remembered that in those days it was the fashion among the French ladies to wear a looking-glass,' as Mr. Bayle coarsely represents it, on their bellies; that is, to have a small mirrour set in gold hanging at the girdle, by which they occasionally viewed their faces or adjusted their hair.

IV.i.35 (385,8) [that my heart means no ill] [W: tho'] That my heart means no ill, is the same with to whom my heart means no ill; the common phrase suppresses the particle,