The Complete Works of William Shakespeare - Israel Gollancz William Shakespeare [3550]
Some misgivings regarding the young Earl's desire for the match with his granddaughter seem to have arisen in Burghley's mind in March 1592, at which time Southampton was with the English forces in France. From this we may judge that Southampton's departure for the wars was undertaken at his own initiative and not at Burghley's suggestion. It appears likely that a lack of marital ardour inspired his martial ardour at this time, and that Burghley was conscious of his disinclination to the proposed marriage. In a letter dated 6th March 1592 (new style) Roger Manners writing to Burghley tells him he has been at North Hall with the Countess of Warwick, whom he reports as "very well inclined to the match between the Earl of Bedford and the Lady Vere." "She is desirous to know," he adds, "if your Lordship approves of it." While this letter shows that Burghley at this date had doubts regarding Southampton's fulfilment of his engagement, other inferences lead me to judge that it was not finally disrupted until the spring of 1594.
We have record that Southampton's name was entered as a student of Gray's Inn in July 1590,—that is, three months before his arrival in London,—and may therefore assume that some of his subsequent time in London was occupied in more or less perfunctory legal studies.
As continental travel and an acquaintance with foreign tongues—at least Italian and French—had then come to be regarded as a part of a nobleman's education, Burghley, soon after Southampton's coming to Court, provided him with a tutor of languages in the person of John Florio, who thereafter continued in his pay and patronage as late as, if not later than, 1598. Even after this date Southampton continued to befriend Florio for many years.
As Florio continued in Southampton's service during the entire Sonnet period and played an important rôle in what shall hereafter be developed as The Story of the Sonnets, and as he shall also be shown to have provided Shakespeare with a model for several important characters in The Plays of the Sonnet Period, a brief consideration of his heredity and personal characteristics may help us to realise the manner in which Shakespeare held "the mirror up to nature" in his dramatic characterisations.
John Florio was born before 1553 and was the son of Michael Angelo Florio, a Florentine Protestant, who left Italy in the reign of Henry VIII. to escape the persecution in the Valteline. Florio's father was pastor to a congregation of his religious