The Essays of Montaigne [308]
My library, which is a fine one among those of the village type, is situated in a corner of my house; if anything comes into my head that I have a mind to search or to write, lest I should forget it in but going across the court, I am fain to commit it to the memory of some other. If I venture in speaking to digress never so little from my subject, I am infallibly lost, which is the reason that I keep myself, in discourse, strictly close. I am forced to call the men who serve me either by the names of their offices or their country; for names are very hard for me to remember. I can tell indeed that there are three syllables, that it has a harsh sound, and that it begins or ends with such a letter; but that's all; and if I should live long, I do not doubt but I should forget my own name, as some others have done. Messala Corvinus was two years without any trace of memory, which is also said of Georgius Trapezuntius. For my own interest, I often meditate what a kind of life theirs was, and if, without this faculty, I should have enough left to support me with any manner of ease; and prying narrowly into it, I fear that this privation, if absolute, destroys all the other functions of the soul:
"Plenus rimarum sum, hac atque iliac perfluo."
["I'm full of chinks, and leak out every way."
—Ter., Eunuchus, ii. 2, 23.]
It has befallen me more than once to forget the watchword I had three hours before given or received, and to forget where I had hidden my purse; whatever Cicero is pleased to say, I help myself to lose what I have a particular care to lock safe up:
"Memoria certe non modo Philosophiam sed omnis
vitae usum, omnesque artes, una maxime continet."
["It is certain that memory contains not only philosophy,
but all the arts and all that appertain to the use of life."
—Cicero, Acad., ii. 7.]
Memory is the receptacle and case of science: and therefore mine being so treacherous, if I know little, I cannot much complain. I know, in general, the names of the arts, and of what they treat, but nothing more. I turn over books; I do not study them. What I retain I no longer recognise as another's; 'tis only what my judgment has made its advantage of, the discourses and imaginations in which it has been instructed: the author, place, words, and other circumstances, I immediately forget; and I am so excellent at forgetting, that I no less forget my own writings and compositions than the rest. I am very often quoted to myself, and