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The Gift_ Creativity and the Artist in the Modern World - Lewis Hyde [19]

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things that we classify as gifts really grow, of course, but even inert gifts, such as the Kula articles, are felt to increase—in worth or in liveliness—as they move from hand to hand. The distinction—alive/inert—is not always useful, in fact, because even when a gift is not alive it is treated as if it were, and whatever we treat as living begins to take on life. Moreover, gifts that have taken on life can bestow it in return. The final gift in the Gaelic tale revives the dead sisters. Even if such miracles are rare, it is still true that lifelessness leaves the soul when a gift comes toward us, for gift property serves an upward force, the goodwill or virtù of nature, the soul, and the collective. (This is one of the senses in which I mean to say that a work of art is a gift. The gifted artist contains the vitality of his gift within the work, and thereby makes it available to others. Furthermore, works we come to treasure are those which transmit that vitality and revive the soul. Such works circulate among us as reservoirs of available life, what Whitman calls “the tasteless water of souls.”)

Later in this chapter I shall describe a purely cultural artifact which is felt to increase in worth as it circulates, but to begin an analysis of the increase of gifts I want to turn to a gift institution which, like the story of the beggar and the queen, has as its setting a situation in which natural fertility and growth are at issue.

The American Indian tribes that have become famous for the potlatch—the Kwakiutl, Tlingit, Haida, and others—once occupied the Pacific coast of North America from Cape Mendocino in California to Prince William Sound in Alaska. All of these tribes depended upon the ocean to provide their primary sustenance—herring, eulachon (candlefish), whales, and, above all, the salmon that annually enter the coastal rivers to swim inland and spawn. Like the Maori or the Jews of the Old Testament, the North Pacific tribes developed a relationship to the natural abundance of their environment based upon a cycle of gifts. It was the Indian belief that all animals lived as they themselves lived—in tribes—and that the salmon, in particular, dwelt in a huge lodge beneath the sea. According to this mythology, the salmon go about in human form while they are at home in their lodge, but once a year they change their bodies into fish bodies, dress themselves in robes of salmon skin, swim to the mouths of the rivers, and voluntarily sacrifice themselves that their land brothers may have food for the winter.

The first salmon to appear in the rivers was always given an elaborate welcome. A priest or his assistant would catch the fish, parade it to an altar, and lay it out before the group (its head pointing inland to encourage the rest of the salmon to continue swimming upstream). The first fish was treated as if it were a high-ranking chief making a visit from a neighboring tribe. The priest sprinkled its body with eagle down or red ochre and made a formal speech of welcome, mentioning, as far as politeness permitted, how much the tribe hoped the run would continue and be bountiful. The celebrants then sang the songs that welcome an honored guest. After the ceremony the priest gave everyone present a piece of the fish to eat. Finally—and this is what makes it clearly a gift cycle— the bones of the first salmon were returned to the sea. The belief was that salmon bones placed back into the water would reassemble once they had washed out to sea; the fish would then revive, return to its home, and revert to its human form. The skeleton of the first salmon had to be returned to the water intact; later fish could be cut apart, but all their bones were still put back into the water. If they were not, the salmon would be offended and might not return the following year with their gift of winter food.

The main elements of this ceremony are the same as those of the other first-fruits rites we have seen—part of the gift is eaten and part is returned—and once again the myth declares that the objects of the ritual will remain plentiful

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