The Gift_ Creativity and the Artist in the Modern World - Lewis Hyde [20]
Now let us see how far we may go toward widening the point to include the growth of gifts that are not in fact alive. Let us turn to a gift at the level of culture—something clearly inorganic and inedible—and try to explain its increase without recourse to any natural analogy.
The same North Pacific tribes that welcomed the first salmon circulated among themselves large decorated copper plaques as ceremonial gifts. As the illustration shows, the upper half of a copper plaque was typically engraved with a highly geometric portrait of an animal or spirit, while the lower portion was left unadorned except for two ridges in the shape of a T. Each copper bore a name, sometimes referring to the animal or spirit, sometimes to the great power of the gift (e.g., “Drawing All Property from the House”).
Coppers were always associated with the property given away at a potlatch. Marcel Mauss, as I indicated in the last chapter, translates “potlatch” in terms of nourishment and satiation; more commonly the word is taken to mean “gift,” “giving,” or, when used as a verb, “to give.” Potlatches were held to mark important events, such as a marriage or, most often, the assumption of rank by a member of a tribe. The oldest and most universal occasion for a potlatch was the death of a chief and the subsequent elevation of his successor to the vacant rank and title. Potlatches were almost always given by one tribe for another, the order and value of the gifts bestowed establishing the rank of each participant, guest and host alike. Status and generosity were always associated: no man could become a man of position without giving away property.
When American ethnographers first studied the potlatch at the end of the nineteenth century, over a hundred years of trading with the whites had changed it to its roots. We must therefore look upon the literature we have about the potlatch with a wary eye—what is truly aboriginal and what is an accommodation to the new economy? Before the Europeans appeared, for example, a chief was likely to give only one formal potlatch during his lifetime, the one at which he assumed his chieftainship. The tribe would labor a year or more to prepare the ceremony, if only to collect the treasure to be given away, not just coppers, but sea otter and marmot pelts, eulachon oil, tusk shells, skins of albino deer, and nobility blankets woven of mountain-goat wool and cords of yellow cedar bark. When Franz Boas, the first ethnographer to study the potlatch, stayed with the Kwakiutl in the 1890s, however, the gifts were trade items, easy to manufacture and cheap to acquire, and potlatches were held all the time.
Kwakiutl copper
It is worth going into the story of this change a little, for the subtleties of gift exchange always become more apparent when set alongside a market