The Golden Road [41]
"Oh, yes, AT TIMES. But that's different from thinking one REGULARLY at a given hour. And mother is always calling up the stairs for me to hurry up and get dressed, and it's VERY hard sometimes."
"That's so," conceded the Story Girl. "There ARE times when I can't think anything but gray thoughts. Then, other days, I think pink and blue and gold and purple and rainbow thoughts all the time."
"The idea! As if thoughts were coloured," giggled Felicity.
"Oh, they are!" cried the Story Girl. "Why, I can always SEE the colour of any thought I think. Can't you?"
"I never heard of such a thing," declared Felicity, "and I don't believe it. I believe you are just making that up."
"Indeed I'm not. Why, I always supposed everyone thought in colours. It must be very tiresome if you don't."
"When you think of me what colour is it?" asked Peter curiously.
"Yellow," answered the Story Girl promptly. "And Cecily is a sweet pink, like those mayflowers, and Sara Ray is very pale blue, and Dan is red and Felix is yellow, like Peter, and Bev is striped."
"What colour am I?" asked Felicity, amid the laughter at my expense.
"You're--you're like a rainbow," answered the Story Girl rather reluctantly. She had to be honest, but she would rather not have complimented Felicity. "And you needn't laugh at Bev. His stripes are beautiful. It isn't HE that is striped. It's just the THOUGHT of him. Peg Bowen is a queer sort of yellowish green and the Awkward Man is lilac. Aunt Olivia is pansy-purple mixed with gold, and Uncle Roger is navy blue."
"I never heard such nonsense," declared Felicity. The rest of us were rather inclined to agree with her for once. We thought the Story Girl was making fun of us. But I believe she really had a strange gift of thinking in colours. In later years, when we were grown up, she told me of it again. She said that everything had colour in her thought; the months of the year ran through all the tints of the spectrum, the days of the week were arrayed as Solomon in his glory, morning was golden, noon orange, evening crystal blue, and night violet. Every idea came to her mind robed in its own especial hue. Perhaps that was why her voice and words had such a charm, conveying to the listeners' perception such fine shadings of meaning and tint and music.
"Well, let's go and have something to eat," suggested Dan. "What colour is eating, Sara?"
"Golden brown, just the colour of a molasses cooky," laughed the Story Girl.
We sat on the ferny bank of the pool and ate of the generous basket Aunt Janet had provided, with appetites sharpened by the keen spring air and our wilderness rovings. Felicity had made some very nice sandwiches of ham which we all appreciated except Dan, who declared he didn't like things minced up and dug out of the basket a chunk of boiled pork which he proceeded to saw up with a jack-knife and devour with gusto.
"I told ma to put this in for me. There's some CHEW to it," he said.
"You are not a bit refined," commented Felicity.
"Not a morsel, my love," grinned Dan.
"You make me think of a story I heard Uncle Roger telling about Cousin Annetta King," said the Story Girl. "Great-uncle Jeremiah King used to live where Uncle Roger lives now, when Grandfather King was alive and Uncle Roger was a boy. In those days it was thought rather coarse for a young lady to have too hearty an appetite, and she was more admired if she was delicate about what she ate. Cousin Annetta set out to be very refined indeed. She pretended to have no appetite at all. One afternoon she was invited to tea at Grandfather King's when they had some special company--people from Charlottetown. Cousin Annetta said she could hardly eat anything. 'You know, Uncle Abraham,' she said, in a very affected, fine-young-lady voice, 'I really hardly eat enough to keep a bird alive. Mother says she wonders how