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The Golden Road [42]

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I continue to exist.' And she picked and pecked until Grandfather King declared he would like to throw something at her. After tea Cousin Annetta went home, and just about dark Grandfather King went over to Uncle Jeremiah's on an errand. As he passed the open, lighted pantry window he happened to glance in, and what do you think he saw? Delicate Cousin Annetta standing at the dresser, with a big loaf of bread beside her and a big platterful of cold, boiled pork in front of her; and Annetta was hacking off great chunks, like Dan there, and gobbling them down as if she was starving. Grandfather King couldn't resist the temptation. He stepped up to the window and said, 'I'm glad your appetite has come back to you, Annetta. Your mother needn't worry about your continuing to exist as long as you can tuck away fat, salt pork in that fashion.'

"Cousin Annetta never forgave him, but she never pretended to be delicate again."

"The Jews don't believe in eating pork," said Peter.

"I'm glad I'm not a Jew and I guess Cousin Annetta was too," said Dan.

"I like bacon, but I can never look at a pig without wondering if they were ever intended to be eaten," remarked Cecily naively.

When we finished our lunch the barrens were already wrapping themselves in a dim, blue dusk and falling upon rest in dell and dingle. But out in the open there was still much light of a fine emerald-golden sort and the robins whistled us home in it. "Horns of Elfland" never sounded more sweetly around hoary castle and ruined fane than those vesper calls of the robins from the twilight spruce woods and across green pastures lying under the pale radiance of a young moon.

When we reached home we found that Miss Reade had been up to the hill farm on an errand and was just leaving. The Story Girl went for a walk with her and came back with an important expression on her face.

"You look as if you had a story to tell," said Felix.

"One is growing. It isn't a whole story yet," answered the Story Girl mysteriously.

"What is it?" asked Cecily.

"I can't tell you till it's fully grown," said the Story Girl. "But I'll tell you a pretty little story the Awkward Man told us-- told me--tonight. He was walking in his garden as we went by, looking at his tulip beds. His tulips are up ever so much higher than ours, and I asked him how he managed to coax them along so early. And he said HE didn't do it--it was all the work of the pixies who lived in the woods across the brook. There were more pixy babies than usual this spring, and the mothers were in a hurry for the cradles. The tulips are the pixy babies' cradles, it seems. The mother pixies come out of the woods at twilight and rock their tiny little brown babies to sleep in the tulip cups. That is the reason why tulip blooms last so much longer than other blossoms. The pixy babies must have a cradle until they are grown up. They grow very fast, you see, and the Awkward Man says on a spring evening, when the tulips are out, you can hear the sweetest, softest, clearest, fairy music in his garden, and it is the pixy folk singing as they rock the pixy babies to sleep."

"Then the Awkward Man says what isn't true," said Felicity severely.

CHAPTER XIII

A SURPRISING ANNOUNCEMENT

"Nothing exciting has happened for ever so long," said the Story Girl discontentedly, one late May evening, as we lingered under the wonderful white bloom of the cherry trees. There was a long row of them in the orchard, with a Lombardy poplar at either end, and a hedge of lilacs behind. When the wind blew over them all the spicy breezes of Ceylon's isle were never sweeter.

It was a time of wonder and marvel, of the soft touch of silver rain on greening fields, of the incredible delicacy of young leaves, of blossom in field and garden and wood. The whole world bloomed in a flush and tremor of maiden loveliness, instinct with all the evasive, fleeting charm of spring and girlhood and young morning. We felt and enjoyed it all without understanding or analyzing it. It was enough to be glad and young with spring on the golden road.

"I don't like

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