The Hunchback of Notre Dame - Victor Hugo [221]
A clamor of rage and pain followed the first cries of triumph among the besiegers. Quasimodo looked on unmoved, leaning upon the balustrade. He seemed like some long-haired old king at his window.
Jehan Frollo, for his part, was in a critical situation. He was alone in the gallery with the dreadful ringer, parted from his companions by a perpendicular wall eighty feet high. While Quasimodo juggled with the ladder, the student hurried to the postern, which he supposed would be open. Not at all. The deaf man, on entering the gallery had fastened it behind him. Jehan then hid himself behind a stone king, not daring to breathe, and eyeing the monstrous hunchback with terror, like the man who, making love to the wife of the keeper of a menagerie, went one night to see her by appointment, climbed the wrong wall, and abruptly found himself face to face with a white bear.
For a few moments the deaf man paid no heed to him; but finally he turned his head and started. He had just seen the student.
Jehan prepared for a rude encounter; but the deaf man stood motionless: he had merely turned, and was looking at the youth.
“Ho! ho!” said Jehan, “why do you fix that single melancholy eye so steadfastly upon me?”
As he said this, the young scamp slyly adjusted his cross-bow.
“Quasimodo,” he cried, “I am going to change your name! Henceforth you shall be called ‘the blind!’”
The arrow flew. The winged bolt whizzed through the air, and was driven into the hunchback’s left arm. It disturbed Quasimodo no more than a scratch would have done the statue of King Pharamond. He put his hand to the dart, pulled it forth, and quietly broke it across his great knee; then he let the two pieces fall to the ground rather than threw them down. But Jehan had no time to fire a second shot. The arrow broken, Quasimodo drew a long breath, leaped like a grasshopper, and came down upon the student, whose armor was flattened against the wall by the shock.
Then by the dim light of the torches a terrible thing might have been seen.
Quasimodo with his left hand grasped both Jehan’s arms, the poor fellow making no resistance, so hopeless did he feel that it would be. With his right hand the deaf man removed from him one after the other, in silence and with ominous slowness, all the pieces of his armor,—the sword, the daggers, the helmet, the cuirass, and the brassarts. He looked like a monkey picking a nut as he dropped the student’s iron shell, bit by bit, at his feet.
When the youth found himself stripped, disarmed, naked, and helpless in those terrible hands, he did not try to speak to that deaf man, but he laughed impudently in his face, and sang, with the bold unconcern of a lad of sixteen, the song then popular:—
“She’s clad in bright array,
The city of Cambray.
Marafin plundered her one day—”
He did not finish. They saw Quasimodo upright on the parapet, holding the boy by the feet with one hand, and swinging him round like a sling over the abyss; then a sound was heard like a box made of bone dashed against a wall, and something fell, but caught a third of the way down upon a projection. It was a dead body which hung there, bent double, the back broken, the skull empty.
A cry of horror rose from the Vagrants.
“Vengeance!” yelled Clopin. “Sack!” replied the multitude. “Assault! assault!”
Then there was an awful howl, intermingled