The Hunchback of Notre Dame - Victor Hugo [222]
Meantime, the square was starred with a thousand torches. The scene of confusion, hitherto lost in darkness, was suddenly ablaze with light. The square shone resplendent, and cast a red glow upon the heavens; the bonfire kindled upon the high platform still burned, and lighted up the city in the distance. The huge silhouette of the two towers, outlined afar upon the housetops of Paris, formed a vast patch of shadow amid the radiance. The city seemed to be aroused. Distant alarm-bells sounded. The Vagrants howled, panted, swore, climbed higher and higher; and Quasimodo, powerless against so many foes, shuddering for the gipsy girl, seeing those furious faces approach nearer and nearer to his gallery, implored Heaven to grant a miracle, and wrung his hands in despair.
CHAPTER V
The Retreat Where Louis of France Says His Prayers
The reader may remember that a moment before he caught sight of the nocturnal band of Vagrants, Quasimodo, while inspecting Paris from the top of his belfry, saw but one light still burning, and that gleamed from a window in the highest story of a tall dark structure close beside the Porte Saint-Antoine. This building was the Bastille; that starry light was the candle of Louis XI.
King Louis XI had actually been in Paris for two days. He was to set out again two days later for his fortress of Montilz-les-Tours. His visits to his good city of Paris were rare and brief; for he never felt that he had enough trapdoors, gibbets, and Scotch archers about him there.
He had that day come to sleep at the Bastille. The great chamber, five fathoms square, which he had at the Louvre, with its huge chimney-piece adorned with twelve great beasts and thirteen great prophets, and his great bed eleven feet by twelve, were not to his taste. He was lost amid all these grandeurs. This good, homely king preferred the Bastille, with a tiny chamber and a simple bed. And then, the Bastille was stronger than the Louvre.
This tiny room, which the king reserved to his own use in the famous state-prison, was spacious enough, after all, and occupied the topmost floor of a turret adjoining the keep. It was a circular chamber, carpeted with mats of lustrous straw, ceiled with beams enriched with fleurs-de-lis of gilded metal, with colored interjoists wainscotted with rich woods studded with rosettes of white metal painted a fine bright green, compounded of orpiment and wood.
There was but one window,—a long arched opening latticed with brass wire and iron bars, and still further darkened by beautiful stained glass emblazoned with the arms of the king and queen, each pane of which was worth twenty-two pence.
There was but one entrance,—a modern door, with surbased arch, hung with tapestry on the inside, and on the outside decorated with a porch of bogwood, a frail structure of curiously wrought cabinet-work, such as was very common in old houses some hundred and fifty years ago. “Although they are disfiguring and cumbersome,” says Sauval, in despair, “still, our old folk will not do away with them, and retain them in spite of everything.”