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The Life of George Borrow [197]

By Root 2553 0
'And I was not born,' said I, 'when the "Agamemnon" was produced, and yet one reads the "Agamemnon," Mr Borrow. I have read the drama of "Ambrose Gwinett." I have it bound in morocco, with some more of Douglas Jerrold's early transpontine plays, and some AEschylean dramas by Mr Fitzball. I will lend it to you, Mr Borrow, if you like.' He was completely conquered, 'Hake!' he cried, in a loud voice, regardless of my presence, 'Hake! your friend knows everything.' Then he murmured to himself. 'Wonderful man! Knows Ambrose Gwinett!'

"It is such delightful reminiscences as these that will cause me to have as long as I live a very warm place in my heart for the memory of George Borrow." {451a}


After this, intercourse proved easy. At Borrow's suggestion they walked to the Bald-Faced Stag, in Kingston Vale, to inspect Jerry Abershaw's sword. This famous old hostelry was a favourite haunt of Borrow's, where he would often rest during his walk and drink "a cup of ale" (which he would call "swipes," and make a wry face as he swallowed) and talk of the daring deeds of Jerry the highwayman.

Many people have testified to the pleasure of being in the company of the whimsical, eccentric, humbug-hating Borrow.


"He was a choice companion on a walk," writes Mr A. Egmont Hake, "whether across country or in the slums of Houndsditch. His enthusiasm for nature was peculiar; he could draw more poetry from a wide-spreading marsh with its straggling rushes than from the most beautiful scenery, and would stand and look at it with rapture." {451b}


Since the tour in Wales in 1854, from which he returned with the four "Note Books," Borrow had been working steadily at Wild Wales. In 1857 the book had been announced as "ready for the press"; but this was obviously an anticipation. The manuscript was submitted to John Murray early in November 1861. On the 20th of that month he wrote the following letter, addressing it, not to Borrow, but to his wife:-


Dear Mrs Borrow,--The MS. of Wild Wales has occupied my thoughts almost ever since Friday last.

I approached this MS. with some diffidence, recollecting the unsatisfactory results, on the whole, of our last publication--Romany Rye. I have read a large part of this new work with care and attention, and although it is beautifully written and in a style of English undefiled, which few writers can surpass, there is yet a want of stirring incident in it which makes me fearful as to the result of its publication.

In my hands at least I cannot think it would succeed even as well as Romany Rye--and I am fearful of not doing justice to it. I do not like to undertake a work with the chance of reproach that it may have failed through my want of power to promote its circulation, and I do wish, for Borrow's own sake, that in this instance he would try some other publisher and perhaps some other form of publication.

In my hands I am convinced the work will not answer the author's expectations, and I am not prepared to take on me this amount of responsibility.

I will give the best advice I can if called upon, and shall be only too glad if I can be useful to Mr Borrow. I regret to have to write in this sense, but believe me always, Dear Mrs Borrow,

Your faithful friend, JOHN MURRAY.


The reply to this letter has not been preserved. It would appear that some "stirring incidents" were added, among others most probably the account of Borrow blessing the Irish reapers, who mistook him for Father Toban. This anecdote was one of John Murray's favourite passages. It is evident that some concession was made to induce Murray to change his mind. In any case Wild Wales appeared towards the close of 1862 in an edition of 1000 copies. The publisher's misgivings were not justified, as the first edition produced a profit, up to 30th June 1863, of 531 pounds, 14s., which was equally divided between author and publisher. The second, and cheap, edition of 3000 copies lasted for thirteen years, and the deficiency on this absorbed the greater part of the publisher's profit.
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