The Life of George Borrow [203]
encampment of Gypsies. One of their lads had on the Tuesday affronted a soldier; so two or three hundred redcoats came over from Windsor, intending to wreck the camp. There was a babel of cursing and screaming, much brandishing of belts and tent-rods, when suddenly an arbiter appeared, a white-haired, brown-eyed, calm Colossus, speaking Romany fluently, and drinking deep draughts of ale--in a quarter of an hour Tommy Atkins and Anselo Stanley were sworn friends over a loving-quart. "Mr Burroughs," said one of the Gypsies (it is the name by which Gypsies still speak of him), and I knew that at last I had met him whom of all men I most wished to meet. Matty Cooper, the 'celebrated Windsor Frog' (vide Leland), presented me as 'a young gentleman, Rya, a scholard from Oxford'; and 'H'm,' quoth Colossus, 'a good many fools come from Oxford.' It was a bad beginning, but it ended well, by his asking me to walk with him to the station, and on the way inviting me to call on him in London. I did so, but not until nearly a twelve-month afterwards, when I found him in Hereford Square, and when he set strong ale before me, as again on the occasion of my third and last meeting with him in the tent of our common acquaintance, Shadrach Herne, at the Potteries, Notting Hill. Both these times we had much talk together, but I remember only that it was partly about East Anglia, and more about 'things of Egypt.' Conversations twenty years old are easy to imagine, hard to reproduce . . . Probably Borrow asked me the Romany for 'frying-pan,' and I modestly answered, 'Either maasalli or tasseromengri' (this is password No. 1), and then I may have asked him the Romany for 'brick,' to which he will have answered, that 'there is no such word' (this is No. 2). But one thing I do remember, that he was frank and kindly, interesting and interested; I was only a lad, and he was verging on seventy. I could tell him about a few 'travellers' whom he had not recently seen--Charlie Pinfold, the hoary polygamist, Plato and Mantis Buckland, Cinderella Petulengro, and Old Tom Oliver ('Ha! so he has seen Tom Oliver,' I seem to remember that)." {466a}
There was nothing now to keep Borrow in London. Nobody wanted to read his books, other stars had risen in the East. His publisher had exclaimed with energy, as Borrow himself would relate, "I want to meet with good writers, but there are none to be had: I want a man who can write like Ecclesiastes." There is something tragic in the account that Mr Watts-Dunton gives of his last encounter with Borrow:
"The last time I ever saw him," he writes, "was shortly before he left London to live in the country. It was, I remember well, on Waterloo Bridge, where I had stopped to gaze at a sunset of singular and striking splendour, whose gorgeous clouds and ruddy mists were reeling and boiling over the West-End. Borrow came up and stood leaning over the parapet, entranced by the sight, as well he might be. Like most people born in flat districts, he had a passion for sunsets. Turner could not have painted that one, I think, and certainly my pen could not describe it . . . I never saw such a sunset before or since, not even on Waterloo Bridge; and from its association with 'the last of Borrow,' I shall never forget it." {466b}
In 1874 Borrow withdrew to Oulton, there to end his lonely life, his spirit seeming to enjoy the dreary solitude of the Cottage, with its mournful surroundings. His stepdaughter, the Henrietta of old, remained in London with her husband, and Borrow's loneliness was complete. Sometimes he was to be seen stalking along the highways at a great pace, wearing a broad-brimmed hat and a Spanish cloak, a tragic figure of solitude and despair, speaking to no one, no one daring to speak to him, who locally was considered as "a funny tempered man."
In a fragment of a letter from Edward FitzGerald to W. B. Donne (June 1874), there is an interesting reference to Borrow:-
"Wait!" he writes. "I have one little thing to tell you, which, little as it is, is worth all the rest, if
There was nothing now to keep Borrow in London. Nobody wanted to read his books, other stars had risen in the East. His publisher had exclaimed with energy, as Borrow himself would relate, "I want to meet with good writers, but there are none to be had: I want a man who can write like Ecclesiastes." There is something tragic in the account that Mr Watts-Dunton gives of his last encounter with Borrow:
"The last time I ever saw him," he writes, "was shortly before he left London to live in the country. It was, I remember well, on Waterloo Bridge, where I had stopped to gaze at a sunset of singular and striking splendour, whose gorgeous clouds and ruddy mists were reeling and boiling over the West-End. Borrow came up and stood leaning over the parapet, entranced by the sight, as well he might be. Like most people born in flat districts, he had a passion for sunsets. Turner could not have painted that one, I think, and certainly my pen could not describe it . . . I never saw such a sunset before or since, not even on Waterloo Bridge; and from its association with 'the last of Borrow,' I shall never forget it." {466b}
In 1874 Borrow withdrew to Oulton, there to end his lonely life, his spirit seeming to enjoy the dreary solitude of the Cottage, with its mournful surroundings. His stepdaughter, the Henrietta of old, remained in London with her husband, and Borrow's loneliness was complete. Sometimes he was to be seen stalking along the highways at a great pace, wearing a broad-brimmed hat and a Spanish cloak, a tragic figure of solitude and despair, speaking to no one, no one daring to speak to him, who locally was considered as "a funny tempered man."
In a fragment of a letter from Edward FitzGerald to W. B. Donne (June 1874), there is an interesting reference to Borrow:-
"Wait!" he writes. "I have one little thing to tell you, which, little as it is, is worth all the rest, if