The Man Who Was Afraid [125]
But I am a big, heavy man, that's why I am suffocating! That's why I live in fetters. I could free myself from everything with a single effort: just to move my body with all my strength, and then all the fetters will burst!"
"And what then?" asked Yozhov.
"Then?" Foma became pensive, and, after a moment's thought, waved his hand. "I don't know what will be then. I shall see!"
"We shall see!" assented Yozhov.
He was given to drink, this little man who was scalded by life. His day began thus: in the morning at his tea he looked over the local newspapers and drew from the news notices material for his feuilleton, which he wrote right then and there on the corner of the table. Then he ran to the editorial office, where he made up "Provincial Pictures" out of clippings from country newspapers. On Friday he had to write his Sunday feuilleton. For all they paid him a hundred and twenty-five roubles a month; he worked fast, and devoted all his leisure time to the "survey and study of charitable institutions." Together with Foma he strolled about the clubs, hotels and taverns till late at night, drawing material everywhere for his articles, which he called "brushes for the cleansing of the conscience of society." The censor he styled as superintendent of the diffusion of truth and righteousness in life," the newspaper he called "the go-between, engaged in introducing the reader to dangerous ideas," and his own work, "the sale of a soul in retail," and "an inclination to audacity against holy institutions."
Foma could hardly make out when Yozhov jested and when he was in earnest. He spoke of everything enthusiastically and passionately, he condemned everything harshly, and Foma liked it. But often, beginning to argue enthusiastically, he refuted and contradicted himself with equal enthusiasm or wound up his speech with some ridiculous turn. Then it appeared to Foma that that man loved nothing, that nothing was firmly rooted within him, that nothing guided him. Only when speaking of himself he talked in a rather peculiar voice, and the more impassioned he was in speaking of himself, the more merciless and enraged was he in reviling everything and everybody. And his relation toward Foma was dual; sometimes he gave him courage and spoke to him hotly, quivering in every limb.
"Go ahead! Refute and overthrow everything you can! Push forward with all your might. There is nothing more valuable than man, know this! Cry at the top of your voice: 'Freedom! Freedom!"
But when Foma, warmed up by the glowing sparks of these words, began to dream of how he should start to refute and overthrow people who, for the sake of personal profit, do not want to broaden life, Yozhov would often cut him short:
"Drop it! You cannot do anything! People like you are not needed. Your time, the time of the strong but not clever, is past, my dear! You are too late! There is no place for you in life."
"No? You are lying!" cried Foma, irritated by contradiction.
"Well, what can you accomplish?"
"I?"
"You!"
"Why, I can kill you!" said Foma, angrily, clenching his fist.
"Eh, you scarecrow!" said Yozhov, convincingly and pitifully, with a shrug of the shoulder. "Is there anything in that? Why, I am anyway half dead already from my wounds."
And suddenly inflamed with melancholy malice, he stretched himself and said:
"My fate has wronged me. Why have I lowered myself, accepting the sops of the public? Why have I worked like a machine for twelve years in succession in order to study? Why have I swallowed for twelve long years in the Gymnasium and the University the dry and tedious trash and the contradictory nonsense which is absolutely useless to me? In order to become feuilleton-writer, to play the clown from day to day, entertaining the public and convincing myself that that is necessary and useful to them. Where is the powder of my youth? I have fired off all the charge of my soul at three copecks a shot. What faith have I acquired for myself? Only faith in the fact that everything in this life is worthless, that everything
"And what then?" asked Yozhov.
"Then?" Foma became pensive, and, after a moment's thought, waved his hand. "I don't know what will be then. I shall see!"
"We shall see!" assented Yozhov.
He was given to drink, this little man who was scalded by life. His day began thus: in the morning at his tea he looked over the local newspapers and drew from the news notices material for his feuilleton, which he wrote right then and there on the corner of the table. Then he ran to the editorial office, where he made up "Provincial Pictures" out of clippings from country newspapers. On Friday he had to write his Sunday feuilleton. For all they paid him a hundred and twenty-five roubles a month; he worked fast, and devoted all his leisure time to the "survey and study of charitable institutions." Together with Foma he strolled about the clubs, hotels and taverns till late at night, drawing material everywhere for his articles, which he called "brushes for the cleansing of the conscience of society." The censor he styled as superintendent of the diffusion of truth and righteousness in life," the newspaper he called "the go-between, engaged in introducing the reader to dangerous ideas," and his own work, "the sale of a soul in retail," and "an inclination to audacity against holy institutions."
Foma could hardly make out when Yozhov jested and when he was in earnest. He spoke of everything enthusiastically and passionately, he condemned everything harshly, and Foma liked it. But often, beginning to argue enthusiastically, he refuted and contradicted himself with equal enthusiasm or wound up his speech with some ridiculous turn. Then it appeared to Foma that that man loved nothing, that nothing was firmly rooted within him, that nothing guided him. Only when speaking of himself he talked in a rather peculiar voice, and the more impassioned he was in speaking of himself, the more merciless and enraged was he in reviling everything and everybody. And his relation toward Foma was dual; sometimes he gave him courage and spoke to him hotly, quivering in every limb.
"Go ahead! Refute and overthrow everything you can! Push forward with all your might. There is nothing more valuable than man, know this! Cry at the top of your voice: 'Freedom! Freedom!"
But when Foma, warmed up by the glowing sparks of these words, began to dream of how he should start to refute and overthrow people who, for the sake of personal profit, do not want to broaden life, Yozhov would often cut him short:
"Drop it! You cannot do anything! People like you are not needed. Your time, the time of the strong but not clever, is past, my dear! You are too late! There is no place for you in life."
"No? You are lying!" cried Foma, irritated by contradiction.
"Well, what can you accomplish?"
"I?"
"You!"
"Why, I can kill you!" said Foma, angrily, clenching his fist.
"Eh, you scarecrow!" said Yozhov, convincingly and pitifully, with a shrug of the shoulder. "Is there anything in that? Why, I am anyway half dead already from my wounds."
And suddenly inflamed with melancholy malice, he stretched himself and said:
"My fate has wronged me. Why have I lowered myself, accepting the sops of the public? Why have I worked like a machine for twelve years in succession in order to study? Why have I swallowed for twelve long years in the Gymnasium and the University the dry and tedious trash and the contradictory nonsense which is absolutely useless to me? In order to become feuilleton-writer, to play the clown from day to day, entertaining the public and convincing myself that that is necessary and useful to them. Where is the powder of my youth? I have fired off all the charge of my soul at three copecks a shot. What faith have I acquired for myself? Only faith in the fact that everything in this life is worthless, that everything