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The mimic men - V. S. Naipaul [33]

By Root 349 0
though recognizing she had gone too far without being in any way amusing – and perhaps because she recognized this – made no effort to repair the damage, not even when, to exclamations in many accents from the other girls, our hostess brought out open sandwiches, the pronunciation of whose native name had, on so many occasions in the years gone by, served me as the subject of hollow jests. Our hostess’s English sounded like Swedish when she said goodbye. Sandra, driving me away, down the damp, dangerous bends, and acting now for me, lost nothing of her self-induced temper or hostility. ‘Common little Lapp!’ A bitter little explosion, climaxing intermittent speech. I laughed; Sandra smiled, frowning, concentrating on the road. I kissed my finger and pressed it on her lips. The gift of the phrase! Yet pure fantasy on this occasion; for the Swede was splendidly built, and had an impeccable Stockholm background, with a father in publishing.

The gift of the phrase: she relied on this more and more, letting simple words harden into settled judgements and attitudes. She used the gift to render grotesque the girls whose company she had once sought and whose way of life had delighted her. She turned them into a kind of comic chorus, evolving for each a pejorative racial description. A bulky girl from Amsterdam, married to a man from Surinam who had migrated to Isabella, became a ‘subkraut’; the Latvian became, rather tellingly, the ‘sub-Asiatic’. I accepted these phrases; and in our household, which had of course its own racial contradictions, I might hear myself saying quite naturally, ‘Shall we have the subkraut over to genever on Sunday morning?’ Or: ‘It looks as though the Lapp has forgiven you. She wants you to go to a party she is giving for a bearded fellow-countryman. He is over here collecting voodoo songs to play on the Swedish radio.’

An invitation like the last was reconciliation indeed. Among us, cosmopolitan though we were, nothing was prized so much as the visitor from countries reasonably far away. Over such a visitor our women would fight, practising exclusions to indicate disfavour or offering invitations to announce reconciliation. This was the basis of the hospitality on which we prided ourselves, this pampering of the visitor while he remained a visitor, while his foreign cigarettes and shirts and foreign shoes lasted, before he became one of us. Invariably, with such a visitor, there would occur a moment, unplanned, of collective sadness, each girl then seeming to see at the same time the landscape from which she had broken; and in a darkened veranda, from which we offered our visitor the tropical night, there would be soft criticism, anticipating the visitor’s judgement, of the narrowness of island life: the absence of good conversation or proper society, the impossibility of going to the theatre or hearing a good symphony concert. Why the quality of the symphony concerts we were being denied should have been stressed I don’t know. It always was; it was as though on Isabella we were subjected, as a condition of residence, to an endless series of bad symphony concerts. And it was at one such session of soft criticism – at the Indian Commissioner’s, Indian Republic Day, such diplomatic or quasi-diplomatic corps as we had on Isabella all assembled, our women in saris, light glinting on silk from Banaras and jewellery from Guiana – it was then that Sandra, in a sari herself, succeeded in antagonizing the entire group, by saying loudly, in the middle of their music complaint, ‘The one thing I’ve learnt to recognize since I’ve come to this place is a bad symphony concert.’

So Sandra battled on with her North London tongue, responding openly to hostility which was not hostility but only that type of provocation which I have described. Until at last an undeclared state of war existed between the others and ourselves. We continued to meet and to offer and receive hospitality; but it was now accepted that no holds were to be barred. It was our final setting apart. For all this I was to pay later; but then it was Sandra

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