The mimic men - V. S. Naipaul [34]
The simplicities! The distortions! The incident at the Indian Commissioner’s, for instance, was more than modified in the retelling. The talk, it was said, had turned to music. The Canadian Trade Commissioner had said to Sandra, ‘Do you care for music?’ To which, the story would have it, Sandra replied in a low-class London accent: ‘What do you think I am? I would have you know that I like a good symphony concert.’ Then there was the bookshop story, in which I figured. Was it the assistant who spread the hilarious exchange in which he had said to me, ‘Oh, your wife likes reading!’ and I had angrily replied, ‘Look here, I would have you know that my wife reads good books’? This was the dialogue style of these stories: Sandra and I were always ‘having people know’ things. To these stories and to others, of lasciviousness, betrayal and even sexual quaintness, I reacted not at all; and I thought that Sandra shared that placidity, partly her gift, which had come to me with our marriage. But she suffered more than I knew. It did not occur to me that she was not always able to handle a situation which she had provoked; it did not occur to me that, with the gift of the phrase, she could also be vulnerable to the phrase; and that against a low level of distortion she was helpless, as some children remain helpless against the taunts of their fellows, for all the philosophizing of their elders.
She would cultivate a woman friend assiduously, jealously, someone newly arrived, someone new to the group; she would see this person every day and show her every sort of generosity and favour. In no time every aspect of the relationship would be exhausted; and there would occur the inevitable rupture, the anger that was really hurt. More and more I noticed she cultivated Americans; in our group they were a neutral and variable element; and they were as charmed by her accent as she by theirs. With every new encounter, every new friend, she fashioned a matching myth of racial niceness. She was never content with the individual as individual; she wished to go beyond; it was what remained of her avidity and enthusiasm, which could revive at so little. I wish I had seen then, as I see so clearly now, that she was sinking.
What makes a marriage? What makes a house with two people empty? Surely we were compatible, even complementary. Yet it was this very compatibility that drew her away from me. She had begun to get some of my geographical sense, that feeling of having been flung off the world, for all the landscapes and memories