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———. “An Experiment in Perceptual Skills in Drawing.” Ph.D. dissertation, University of California, Los Angeles, 1976.

Edwards, B., and D. Narikawa. Art, Grades Four to Six. Los Angeles: Instructional Objectives Exchange, 1974.

English, H. B., and Ava C. English. A Comprehensive Dictionary of Psychological and Psychoanalytical Terms. New York: David McKay Company, Inc., 1974.

Ernst, M. Beyond Painting. Translated by D. Tanning. New York: Wittenborn, Schultz, 1948.

Ferguson, M. The Brain Revolution. New York: Taplinger Publishing, 1973.

Flam, J. Matisse on Art. New York: Phaidon, 1973.

Franck, F. The Zen of Seeing. New York: Alfred A. Knopf, 1973.

Franco, L., and R. W. Sperry, “Hemisphere Lateralization for Cognitive Processing of Geometry,” Neuropsychologia, 1977, Vol. 15, 107-14.

Friend, D. Composition: A Painter’s Guide to Basic Problems and Solutions. New York: Watson-Guptill Publications, 1975.

Gardner, H. The Shattered Mind: The Person After Damage. New York: Alfred A. Knopf, 1975.

Gazzaniga, M. “The Split Brain in Man.” In Perception: Mechanisms and Models, edited by R. Held and W. Richards, p. 33. San Francisco, Calif.: W. H. Freeman, 1972.

Gladwin, T. “Culture and Logical Process.” In Explorations in Cultural Anthropolog y, edited by W. H. Goodenough, pp. 167-77. New York: McGraw-Hill, 1964.

Goldstein, N. The Art of Responsive Drawing. Englewood Cliffs, N.J.: Prentice-Hall, 1973.

Gregory, R. L. Eye and Brain: The Psychology of Seeing. 2nd ed., rev. New York: McGraw-Hill, 1973.

Grosser, M. The Painter’s Eye. New York: Holt, Rinehart and Winston, 1951.

Hadamard, J. An Essay on the Psychology of Invention in the Mathematical Field. Princeton, N.J.: Princeton University Press, 1945.

Hall, E. T. The Silent Language. Garden City, N.Y.: Doubleday, 1959.

Hearn, Lafcadio. Exotics and Retrospectives. New Jersey: Literature House, 1968.

Henri, R. The Art Spirit. Philadelphia, Pa.: J. B. Lippincott, 1923.

Herrigel, E. Quoted in The Joy of Drawing. London: The Oak Tree Press, 1961.

Hill, E. The Language of Drawing. Englewood Cliffs, N.J.: Prentice-Hall, 1966.

Hockney, D. David Hockney, edited by N. Stangos. New York: Harry N. Abrams, 1976.

Hoffman, Howard. Vision & the Art of Drawing. Englewood Cliffs, N.J.: Prentice-Hall, 1989.

Huxley, A. The Art of Seeing. New York: Harper and Brothers, 1942.

———. The Doors of Perception. New York: Harper and Row, 1954.

James, W. The Varieties of Religious Experience. New York: Longmans, Green, 1902.

Jaynes, J. The Origin of Consciousness in the Breakdown of the Bicameral Mind. Boston: Houghton Mifflin, 1976.

Jung, C. G. Man and His Symbols. Garden City, N.Y.: Doubleday, 1964.

Kandinsky, W. Point and Line to Plane. Chicago: Solomon Guggenheim Foundation, 1945.

———. Concerning the Spiritual in Art. New York: Wittenborn, 1947.

Keller, Helen. The World I Live In. New York: The Century Company, 1908.

Kipling, R. Rudyard Kipling’s Verse. London: Hodder & Stoughton, 1927.

Koestler, A. The Sleepwalkers. London: Hutchinson, 1959.

Krishnamurti, J. The Awakening of Intelligence. New York: Harper and Row, 1973.

———. “Self Knowledge.” In The First and Last Freedom, p. 43. New York: Harper and Row, 954.

———. You Are the World. New York: Harper and Row, 1972.

Levy, J. “Differential Perceptual Capacities in Major and Minor Hemispheres,” Proceedings of the National Academy of Science, Vol. 61, 1968, 1151.

———. “Psychobiological Implications of Bilateral Asymmetry.” In Hemisphere Function in the Human Brain, edited by S. J. Dimond and J. G. Beaumont. New York: John Wiley and Sons, 1974.

Levy, J., C. Trevarthen, and R. W. Sperry. “Perception of Bilateral Chimeric Figures Following Hemispheric Deconnexion,” Brain, 95, 1972, 61-78.

Lindaman, E. B. Thinking in Future Tense. Nashville: Broad-man Press, 1978.

Lindstrom, M. Children’s Art: A Study of Normal Development in Children’s Modes of Visualization. Berkeley, Calif.: University of California Press, 1957.

Lord, J. A Giacometti Portrait. New York: Museum of Modern