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By Root 1132 0

Metalbestos prefabricated chimney—a sparkling, cylindrical metal tube that was nine inches wide—from the opening nearly four feet above the twelve-by-twelve pitch made of slate and through the tube that cut through the attic and the second floor, darting finally through the rectangular vent to the catalytic converter and then into the soapstone stove with its regal glass windows. The windows were caked over with soot from fires long ago as well as from the few logs the Lintons had burned, and so the bird flew around and around in the near total dark, its wings frequently clipping the iron walls or the black stains on the glass. Desdemona, the Lintons’ cat, was aware of the animal before anyone else, and she stared alertly at the stove, her haunches raised ever so slightly and her tail occasionally brushing the floor.

Emily was the first one downstairs that morning, and when she saw the cat watching the stove as if it were a mole hole in the yard back in Pennsylvania, she didn’t know what to think. But she switched on the lamp beside the couch and two heavy boxes of unpacked books, and instantly the poor bird made another effort to escape, thwapping into the door because the flue was open just enough to create thin slats of light. Emily knew instantly then what was so interesting to Desdemona. She screamed upstairs to Chip because she was afraid of birds and knew that, once she opened the woodstove door and the bird flew out into the room, she would be utterly useless. And yet it was only when she heard him on the stairs, asking her what was wrong, that she knew how strange and inconsiderate it would be to tell him her panic had been caused by a bird. One small bird. But with the competence that formerly she had taken for granted, he opened the window nearest the stove and closed the door between the living room and the dining room—the room with, perhaps, the strangest, darkest wallpaper, a series of sunflowers that grew from the hardwood floor to the height of a grown man and, over time, had become brown with age and made her think of the elongated, damned souls in an El Greco painting—and used a bath towel to whisk the bird in the direction of the open window. It was a chickadee. She noticed a little black soot on its gray wings and the white of its nape. Instead of flying through the open half of the window, however, the bird darted straight into the solid pane above it, breaking its neck and falling dead onto the carpet.

As Chip gently picked it up, using his fingers to sweep it into the palm of his hand before Desdemona could cart it away in her mouth, Emily started to cry. She thought on some level it was just because it was so small, so very small, but she knew in her heart that there was more to it than that. Much more. Chip brought the bird outside, though where she didn’t know, and then he came back inside and sat down beside her. He put his arm around her. He didn’t say a word, he just rocked her a little bit and sighed, and she let her tears fall against the plaid top of his pajamas until they both heard their girls on the stairs. Abruptly they stood, and she told the children that she had been crying because the bird in the woodstove was just so little, but she was fine now. She was, she really was. They were all just fine.

You stand in blue jeans and a gray sweatshirt with the logo of your old airline emblazoned across the front and shovel coal for nearly thirty minutes, moving the pile a solid five feet from that basement door. It was possible to stand amidst the coal earlier this month when you were merely tinkering with one of the carriage bolts. But if you’re going to get medieval on that door with an ax this morning, you need a little more space. A little more room. Before you know it, you’re sweating, even though it is the first week in March and you are working in a dank basement in a badly insulated house that’s nearly a century and a quarter old. But the furnace emits a little heat, even here, and it’s no more than a dozen feet away.

When you have finally redistributed the coal, you sit on the