The Night Strangers - Chris Bohjalian [43]
You find it interesting that the ax you are going to use to bring down this door came with the house. It’s the one Emily found hidden behind the ancient cleaning supplies in the cabinet underneath the kitchen sink. You could have used the ax you had brought with you along with a litany of other gardening tools from Pennsylvania: the rake and the hoe and the shears and the wheelbarrow. The clippers. The netting for the blueberry bushes. After all, you wandered out to the barn to retrieve the shovel you’re using now and you could have carried the ax back inside the house, too. But instead you pulled down the trapdoor and climbed up into the attic and found the box where Emily had stored those three, strange implements of self-defense: The crowbar. The knife. The ax. For reasons neither of you could precisely articulate, you couldn’t bring yourselves to cart those old items to the dump. But neither had you any desire to leave them where they were or to use them yourselves. Until now. Until you realized you needed an ax for this morning’s project.
And you like the symmetry. It’s as if the Dunmores left you this ax for precisely this purpose—which, of course, means there might be purposes as well for the crowbar and the knife. Now there’s a macabre thought.
This coming Sunday night, two days from now, you and Emily and the girls are having dinner with Reseda and Holly and whomever else the real estate agent will invite. You sip that cola and contemplate how satisfying it will be to inform them that you took the door down on your own—no need for this Gerard character that Reseda recommended—and found behind it … what?
You just can’t imagine. You have absolutely no idea what might be back there.
Emily’s mood had been sinking for days, ever since that chickadee died on their living room rug (though she told herself that there was no connection; her mood was going to deteriorate regardless of whether that bird made it out of the house). She knew it was never a good sign when she found herself poring over the obituaries she found in the Philadelphia Inquirer or—now that she and her family were ensconced in northern New Hampshire—in the weekly edition of the Littleton Courier. The old and the middle-aged and, in some disturbing or terrifying cases, the young. The faces in the photographs that were now being worked on by a mortician or moldering in a grave. Or cremated. It was the first thing Emily did this morning when she arrived at work and sat down at her desk in the room that not all that long ago had probably been someone’s bedroom. She sipped her coffee and thought of how she had uprooted her children and how her husband was a shell of the man he had been a mere seven months earlier. She thought of her friends she missed—those at the large firm where she had risen to partner, and those in the ridiculous, narcissistic, but bighearted theater community that offered such a wondrous change from her legal practice—and she contemplated how it had all come to this: a dusky office with three other lawyers she barely knew, a sweet young paralegal named Eve, and a secretary her own age named Violet, whom the lawyers shared and was dauntingly competent and not a little intimidating. She thought of how the days just didn’t get long fast enough here in northern New England. Right now back in West Chester, people were having their ride-on mowers tuned up.
On the stairway she heard footsteps, and a moment later she looked up and saw John Hardin peering in. John